Tag Archives: love

#780: Coldplay – Lovers in Japan/Reign of Love

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A trick that Coldplay utilised on their 2008 album Viva la Vida or Death and All His Friends was merging two completely different songs together to make one long track. Two of them, ‘Chinese Sleep Chant’ and ‘The Escapist’, were hidden as they weren’t shown on the tracklist. For whatever reason though, the band decided to show that ‘Reign of Love’ was a song that was meant to be shown to all; it enters the frame as the long fade out of ‘Lovers in Japan’ is still happening. The two songs were then placed together, slap bang in the middle of the album.

‘Lovers in Japan’ is the upbeat, optimistic, us against the world type track. The sort of theme that’s been a constant in the band’s discography from about X&Y onwards. Chris Martin sings to lovers, runners, and soldiers telling them to carry on doing their thing in this crazy world we’re living in. Then he turns it round into a first person narrative in the second verse, telling his baby that they’re going to run away from all of their troubles with dreams of getting to Japan. Chris Martin’s lead vocal is probably one of his best performances, containing great melodies throughout. The track also possesses one of Coldplay’s best choruses. That’s just my opinion, though. ‘Reign of Love’ is the comedown. A beautiful, piano-led track with these twinkling loops and a subtle bass that lay the comforting backdrop to Martin’s restrained vocal. Looking briefly at the lyrics, I think the track captures a narrator who has fallen in love so hard that they’re like a prisoner in its grasp. I’ve gotta say I’ve never paid too much to what the lyrics are because the matching of the melody with the production is 10/10.

‘Lovers’ was released as a single in late 2008, a few weeks before the Prospekt’s March EP came out. In this format, it was unveiled with a new mix known as the ‘Osaka Sun Mix’ and this was what was also used in its music video (below). For a long time, that the version of the song I listened to. Upon rediscovering ‘Reign of Love’ it had to go. There are some minor differences between the ‘Osaka Sun Mix’ of ‘Lovers’ and its original album version. I’ll let you listen and find them out.

#778: The Beatles – Love You To

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The Beatles’ Revolver is an album that I’ve admired for so long now, it’s hard to recall when I had that ‘eureka!’ moment where I suddenly enjoyed each of its fourteen songs or even how I felt when I listened to the album for the first time. I know that I did go through it initially in 2009/10 when I was on my Beatles discovery phase, but I don’t think it was an album that struck me as a special one on the first listen. Through subsequent listens each track slowly became a lot clearer in terms of rhythm and melody and all that good stuff, but I have the feeling that George Harrison’s second song on the album ‘Love You To’ was one that I had to get my head around.

When listening to Revolver for any new Beatles follower, ‘Love You To’ will stick out immediately. Well, ‘Eleanor Rigby’ too, but definitely ‘Love’ because the band aren’t playing as a group. It’s more George Harrison and a lot of Indian musicians with Paul McCartney on backing vocal and Ringo Starr on the tambourine. It’s a real trip, but it’s merely a sign of the musical headspace Harrison was in at the time. He had fallen in love with the sitar and the music of India in general, and wrote this song in order to showcase his new interests. Experimentation with LSD may also have played a part in his new influences. It’s a song in the key of C and I’m sure that’s the only chord the song stays on throughout. That is known as a drone, for anyone who may be getting into music theory or something.

The song is of the the existential/philosophical type judging by its lyrics. Harrison, who was only 22 going on 23 when he wrote it, goes on to sing about how time’s going too quickly, how life is short and how people can be quick to take advantage of you if they get the chance. But while this is all going on, he just wants to make love as much as he can with the time he has. I’ve sometimes wondered why the track is titled ‘Love You To’; the phrasing doesn’t make sense and even so, the phrase doesn’t appear in the lyrics. If it was called ‘Love to You’ it would be a different story. Though I’ve realised now that it may be a play on the words ‘Love Me Do’, the very first Beatles single out only four years earlier. So strange but commendable how much the group changed it that time.

#777: Joy Division – Love Will Tear Us Apart

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Surely, this is a song that everyone knows. I was tempted to just write ‘classic’ on this post and call it a day, leaving some sort of poignant message by doing so. Then I realised that would be a bit lame. A bit pretentious too. This’ll probably be a short one, though. As much as I like ‘Love Will Tear Us Apart’, it is a fantastic song and gone through the ages as one of the best of all time, I don’t think it’s had the greatest effect on me personally than it probably has for millions of people out there. I do appreciate it a lot, though. There’s a lot of greatness in its subtlety and weariness.

The track was released as a single in June 1980, a month after Joy Division’s frontman Ian Curtis committed suicide. The music video is the only official one they did, and was filmed just a few weeks before the tragic event. This song is the first of the band’s I’d ever heard; its music video played on a channel somewhere (maybe Q TV, most likely MTV2), and for a while was the only one I listened to. Maybe it was because Curtis looked so despondent on the microphone. I also didn’t know that Joy Division were held in such high regard. I was a young boy at that time.

I think the only major point in my enjoyment of the track is that the ‘Permanent Mix’ that was released on a compilation in 1995 is my go-to version. That’s just the one I’ve been accustomed to for all this time. It’s the version that’s played in the video above. A lot of people prefer the original 1980 release. That’s fine. The main difference between the two is that the mix is a lot fuller in the ’90s reissue. There’s also a nice acoustic guitar outro added in there too. It’s the same song at the end of the day.

#776: Wolfmother – Love Train

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Every time I hear ‘Love Train’ by Wolfmother I’m reminded of the times when it was the band’s new single and its video was making the rounds for the first time on MTV2 in the UK. 2006 was the year. Wolfmother seemed to come out of nowhere when the group’s video for ‘Dimension’ was also played endlessly on that channel. That was the first ever song of theirs I heard/watched and I guess its fair to say that became a bit of a fan. They wore their 70s hard rock influences on their sleeves but the music was amazing. I got their album as a result; I haven’t gone through it in a while.

After ‘Dimension’ and ‘Woman’ were released as singles, ‘Love Train’ followed. It wasn’t as commercially successful as its two predecessors but showed, at least to me, that they could be just a bit versatile and could lay on the funk on their music if they wanted. ‘Train’ is carried by this groove and riff that I’m sure probably came from some jam the band were doing in their spare time. The lyrics aren’t very substantive and I’m sure the music is meant to be the main thing to focus on, but from what I can hear the narrator hasn’t been in the game for a while and is looking to get back to it some time soon.

There are a load of copies of Wolfmother’s first album which have a totally different tracklist to the one I own, and that don’t have this song on there. The record was initially released only in Australia in late 2005; I guess either the band didn’t finish the song in time for it to be included, or they hadn’t even thought of it in between the time they released the album in their home country and its international release. Whatever happened, ‘Love Train’ exists, I’m glad it does, the music video you can see up there.

#775: The Darkness – Love Is Only a Feeling

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The Darkness was probably the first rock band I ever got into. I believe this is a statement I’ve said a few times before along this long road I’ve chosen to go down, but I haven’t looked back to see exactly where. As an eight-year-old going on nine, I can still remember the group being one of the most popular in the UK during 2003-04. ‘I Believe in a Thing Called Love’ was massive. Initially, I thought it was a joke song because… just watch the damn music video. But I actually sat down and fully took it in one day and it suddenly clicked. And I still don’t think the tag of a band you shouldn’t take seriously had gone even when they released ‘Christmas Time (Don’t Let the Bells End)’ later that year, a song that I wanted to be number 1 in the charts but was beaten by the ‘Mad World’ cover by Gary Jules.

‘Love Is Only a Feeling’ was released as the final single from Permission to Land in March 2004, and I think it was this song and its great video that convinced me to ask my older cousin to get the album for me as a birthday gift. The track is an emotional power ballad. Not so much the chugging rocker of ‘Thing Called Love’, ‘Feeling’ is led by these emphatic guitar downstrokes and dueling/harmonising guitar solos that appear throughout. The track’s meaning is very much clear in the title. Singer Justin Hawkins says it’s about how wonderful love can make you feel, but how it can also be a danger too. It’s a song that’s really from the heart, and I think that’s what really attracted me to it all that time ago. Any reservations I had about the band not being very serious about their stuff was gone. This song was really good. Still is almost 20 years later.