Tag Archives: muse

#909: Muse – New Born

Muse’s ‘New Born’ starts off the band’s 2001 album Origin of Symmetry. I’ve always seen it as something of a “Welcome to the 21st century” moment, and I believe that’s meant to be reflected in the way that it transitions from the soft piano-based into the mega-crunchy guitar riff properly introduces the track and the overall sound of the rest of the tracks that follow. The riffs throughout this six minute wonder are quite spectacular. There’s the aforementioned riff that gets things going, there’s Chris Wolstenholme’s bass riff that occurs throughout the verses… Matt Bellamy’s guitar solo’s pretty out there too. On a whole the band are firing on all cylinders, it’s a huge ball of energy.

Matthew Bellamy’s vocal style is one that’s lost if effect on me as the years have gone on, but there are still some Muse tracks where it just suits perfectly with all the melodies and rhythms that are happening around it. ‘New Born’ is another one of them, in my opinion. How he changes it around to match the tone of each respective section… It subtly builds and builds from the verse up to that final line in the chorus with the falsetto, and it’s extremely effective when that falsetto turns into a scream and segues into the track’s closing instrumental section. Goosebumps every time that happens. Some could be cynical and say something like the whole “technology is taking over and humanity is suffering because of it” subject was already done by Radiohead a few years earlier, arguably in a better way, but whatever it’s just another take on it from another band at the end of the day.

Last year the band released a remixed and remastered version of Origin of Symmetry to coincide with the 20th anniversary of its release. The new mix of ‘New Born’ revealed some details that were really buried in that original 2001 mix. Like those ‘aah-aah’ backing vocals during the choruses? Did you know those were there, because I certainly didn’t. It also generally took away a lot of the compression present in the original mix, so it sounds very open and somewhat wider in comparison. If that makes any sense. I may still prefer the original release though. But I’ll link the new mix below, so you can make up your own mind.

#881: Muse – Muscle Museum

Muse. Muse, Muse, Muse. I’ve written about a few songs of the band’s in the past. A couple of those that I’ve linked to, I don’t listen to them as enthusiastically as I once did. I’ll let you guess which two they are. Why don’t I listen to them anymore? Just the way Matt Bellamy sings sometimes, I guess. It’s too much for me to listen to now. A bit melodramatic. Doesn’t seem as cool as I thought it was when I was a teenager. I really did like Muse for a while back in those times, and then I think I found the Beatles and went in a totally different direction. Although my interest for Muse may have waned, whenever ‘Muscle Museum’ comes on I can’t help but think that it might just be my favourite song by them. And you’ll probably think, “Well, this song is just as dramatic as any of their other stuff”. And to that I’ll say that’s fair enough, but this one hits harder to me.

It’s likely that the first time I was introduced to this track was back in 2006, when Black Holes and Revelations was about to be released and MTV2 dedicated various slots of their programming to Muse. The track’s music video features a lot of people crying, and not like sobbing or sniffles, I mean ugly crying, sweat glistening on their faces, while they’re brushing teeth, washing the car, or getting a hair cut. The music to ‘Muscle Museum’ is heavy, sounds like something really sad has happened/is going to happen, and its whole minor key, tension-building delivery perfectly accompanied the visuals of its video. It kind of creeped me out, especially back then when I was 11, but I knew then that it was definitely a good song. 15 years on, the music video makes me laugh a bit. And if there was only one Muse song that existed, I would probably want it to be this one. It packs a punch like many others, but there aren’t any crazy guitar riffs or over the top vocalizations. It just seems a lot more subtle. But it’s still so heavy. It rules.

Again, never thought about the meaning of the track that much. I thought it was about the ending of a relationship. It very well could be. But I also read that it’s meant to be a kind of commentary on the band’s lack of success when they were starting out, and how they were giving their all in their live performances to people who frankly didn’t care. The ‘muscle museum’ title comes from the fact that they are the two words that respectively precede and follow the word ‘muse’ in the dictionary. At least, at the time the song was written. And that is meant to signify the past and future of the band. That also may be the case. Whatever it is, it doesn’t matter that much. I just know that I always feel a huge weight when I hear this song. Puts me in that screwing face, head nodding mood.

My iPod #557: Muse – Hyper Music

“Hyper Music” is the fourth track on the band’s second album Origin of Symmetry. A track of ‘pure anger and disregard for affection’ as once said by Matthew Bellamy in Kerrang! magazine, it was released as a double A-side single alongside their cover of “Feeling Good“. The band decided to film two music videos for the two songs too; whilst that of “Feeling Good” had flower petals slowly falling from the sky, “Hyper Music”‘s features very unstable camera handling, extreme close-ups of Matthew Bellamy’s head, and a headbanging crowd for the final chorus.

Still, it is the perfect visual accompaniment to the song’s bouncing energy and aggression. It all begins with a plectrum scratch which becomes more and more distorted before the band enter to launch into the song’s riff. Similar to a lot of early Muse songs “Hyper Music” focuses its attention on a person who Bellamy couldn’t bare to take shit from anymore, this time he totally erases them from his life – regarding them as someone he never loved nor wanted in the first place. Bellamy holds this negativity and exudes it in his wailing vocal performance, with bassist Chris Wolstenholme pulling the strings throughout delivering a powerful ascending bassline that drives the song’s momentum.

A great track. One that, admittedly, I like a lot better when I was younger. But still a headbanging listen all the way.

Tomorrow comes the last of the H’s and I don’t know whether to feel relieved or saddened by this. Will keep you updated.

My iPod #365: Muse – Feeling Good

Muse’s take on the Anthony Newley and Lesley Briscusse original was released on the band’s second album “Origin of Symmetry” thirteen years ago. As well as being the second to last track on that, it was released as a single alongside another album track “Hyper Music”. As a result, both videos made for the tracks are set in the same location albeit there are a few differences in the colour palette here and there. The three members perform in front of their fans who have had their faces digitally altered in order to look like freaks, petals fall slowly from the sky, and Matt Bellamy fiddles around with a megaphone during a verse.

“Feeling Good” is recognised for being an actually very good cover of an old track. Probably one of the best covers of the 21st century. Why? Not really sure. I guess that it’s because it was the first modern rock cover that had been done for the track, and Matt, Chris and Dom pulled it off very well. It is a cover that is so, so simple but still rocks. And you can’t blame someone who, listening to it for the first time, would think it was their own original song because they adapt it to their own style so easily.

I rate it.

My iPod #252: Muse – Dead Star

 

Whilst fans waited for a new album after “Origin of Symmetry”, Muse released a video showing two performances in France the band did in October 2001. That video was simultaneously released with its accompanying soundtrack the following year in July. “Dead Star” was a new song the band recorded to promote the album and was released as a double A-side single with another song “In Your World”.

I was seven when this song was released so I had no idea the song existed until about 2006. “Black Holes” was coming out, and MTV2 practically dedicated half-an-hour slots to the band so I can only guess that I found out about the track when its video came up during the time.

The track is not one of their most popular (not appearing on an actual album may have that effect on a song) but to be fair, it is just as good as anything on “Symmetry”. Very loud as expected from early-noughties Muse. Great vocals by Matt Bellamy… as always. Brilliant instrumentation from Chris Wolstenholme and Dominic Howard. Overall, a decent track. And probably the most metal thing they’ve ever done.