Tag Archives: my ipod

#839: Hot Hot Heat – Middle of Nowhere

1 Reply

So ‘Goodnight Goodnight’ was the first single from Hot Hot Heat’s Elevator back in 2005. And I thought it was okay then. Just okay though. I didn’t think it was as good as ‘Bandages’. That song still rules. I eventually grew to appreciate ‘Goodnight’ more too. But when the hype for ‘Goodnight’ was over, the video for ‘Middle of Nowhere’ started showing itself on television soon after. I thought it was much better. I wasn’t into Hot Hot Heat that much then. I think 2005 was my Green Day year. But the track was one of the reasons why I downloaded Elevator when I started to download random albums in around 2009 or something.

For me, this track goes into that pile of those that I’ve known for so long and sung along to but never thought about in much depth. The stop-starting groove’s very catchy and the vocal melody throughout is infectious, particularly during its choruses. Obviously those moments are when you want to have the memorable parts. I’ll listen to it and it’ll take me back to being a ten-year-old just watching new music on the television. For the sake of this post, I’ll share with you an interpretation I found. The song’s narrator is dealing with a lot of heavy stuff. They’re unable to sleep, think properly. The girl who is being sung about provides some relief from all these problems and frequently meets up with the narrator to see how they’re doing. The narrator gives her something to go on (nudge nudge) before continuing to do the same old same old.

Makes sense to me. Again, I wouldn’t think about it so much, but that’s just me. I’ll carry on listening to it the same way I did when I was younger. Enjoying it all the same. This song was on an episode of One Tree Hill, so this track may be familiar.

#838: The Beatles – Michelle

Leave a reply

Story goes that, in his younger days, Paul McCartney would go to parties, pretend he was French and perform a song with his acoustic guitar with a fake accent to woo the ladies. In his own words, his goal never came to fruition. But many years later when he was in the Beatles and recording Rubber Soul, John Lennon reminded him of that fake-French song and told him to work on it so it could be a new number for their album. The result is ‘Michelle’, a love song cherished by many and probably a reason why a lot of people out there have the same name.

For a long time, I mean a long time, I didn’t care about this track. Thought it was just a soppy love song, “I love you, I love you”, yeah, yeah, okay McCartney. Didn’t give it much thought. And it suffered from the terrible instruments-in-one-ear-vocals-in-the-other mix that the whole album had. Didn’t make the listening experience much better. Then I made my own mix using the Beatles Rock Band stems that you can find online with a quick google, and I suddenly liked it a lot more. I’m still not into the lyrics that much, but there’s a swing and coolness in its delivery that’s undeniable.

I find myself listening more to McCartney’s bass line that rings and climbs and falls and sometimes mirrors the ‘ooh-ooh’ backing vocals by Lennon and George Harrison. Those elements really add to the smoky nightclub feel which I think the track is going for. That smooth solo that comes in during the middle is pretty slick too. All of these aren’t really given their props in the album mix. Now if I could share my mix, you’d probably like the song a lot more. But that’d just be too long of a process. So I’ll share the mix from the Rock Band game instead.

#837: Franz Ferdinand – Michael

Leave a reply

Franz Ferdinand’s ‘Michael’ is a song about a guy wanting to make out with the titular character. The chorus gets quite descriptive about how he wants to do so. I could see why people could get turned off by it, because some people are just like that. They don’t like the gay. I’ve always enjoyed just because… I mean, it’s just a good song. It’s hard not to sing along to even knowing what it’s about. A lot of times for me the subject of the song is irrelevant initially, but the delivery always matters. And the delivery here is killer.

Those guitar lines that start the track straight away will grab anyone’s attention.Hook’s good, those verses are sweet. Great vocal take by Alex Kapranos, he’s got that sensual thing going at some points with a more direct approach during the choruses. And former guitarist Nick McCarthy sings this countermelody during those; I can’t tell what he’s singing. “Hey yooou/Heyy ???”. Still trying to figure it out to this day. More often than not, I sing along to that more than Kapranos’ bit.

Some time last year I found myself repeatedly watching its music video. I went on a little Franz Ferdinand binge for a bit after the band had a Twitter listening party for their first album. Now, I was alive and kicking when this track was released as a single back in 2004 and its video was being shown on MTV2 and stuff. But I was never as creeped out by it as I am now having properly watched it. Why does Michael have his arm yanked off near the end? Why do the band grow all these extra limbs? Which head of Nick McCarthy’s am I meant to be looking at? The one on the left looks lifeless, but for split seconds it raises its eyebrows and mimes the lyrics. A really random ending to a video that seemed quite harmless for the majority. It still manages to capture the manic delivery of the song’s ending itself, which is probably my favorite part. Kapranos goes crazy in that last minute.

#836: Taking Back Sunday – Miami

Leave a reply

Well, well. Taking Back Sunday. Maybe you were expecting it, maybe you weren’t. Maybe you didn’t really care. But here’s the first post I’ve done for the band. Back in 2006, ‘MakeDamnSure’ was a song that I always had to listen to/see when its video came on the television. My sister really liked that song too. So much so that I think she borrowed the Louder Now album from a friend when it was released in April of that year. As time went on, my own enjoyment of that song faded. It just reminds me of being a dumb 11-year old. But there are a few songs on there that get me going each time. ‘Miami’ is one of them.

Now I can’t front. I have no idea what this song is about. Fifteen years, I’ve never cared to take the time and find any interpretations. I don’t think I even liked the track that much when I first heard it. Guess it was a random day I heard it and it suddenly clicked. But the melodies are abundant. If a song has a great melody, it’s likely I’ll be into it – I’m not much of a lyrical person. And the guitar tones during the ‘Miami’ chorus stuck out just because of how unique they sounded compared to every other track on the album. So sleek and with a sheen. My own intepretation based on listening to it for so long… Well, I think it’s about a collection of things. Relationships. Being unable to capture a moment in the past when you were at your best. That’s just looking at the lyrics though.

I guess I would say Louder Now is my favourite Taking Back Sunday album. I’m not much of a TBS fan, but the album made me one for a bit. The back and forth between singer Adam Lazzara and then lead-guitarist Fred Mascherino on backing vocals made for some good listening. Each track on there had some sort of interplay between the two. Then Mascherino left to do his own thing. It took three years for another album by the band to see the light of day. Then I didn’t care that much anymore. Will still always have this album for the good old days.

#835: They Might Be Giants – Metal Detector

Leave a reply

Here’s ‘Metal Detector’. Another song by They Might Be Giants, so soon after the last one. It’s found on their 1996 album Factory Showroom, their last on the Elektra label before they left and have sort of been an independent band ever since. I like Factory Showroom. I’ve always thought it was kind of a reaction to John Henry. That album’s almost an hour long and there’s a lot of horns and brass on it. I feel like Showroom put more of a focus on the band, and they dialled back the run time from 57 minutes to an easygoing 42. Only 13 songs on there too, which was peanuts compared to the number of songs They had on albums prior.

What I like most about ‘Metal Detector’ is that it’s essentially a song of choruses. There are only about two verses, even one and a half if you think about it. The rest is chorus, pre-chorus, kinda bridge over and over again. And it works, I don’t know what to tell you. The approach makes the song all the more memorable to me. It’s an easy one to sing along to, and the overall tone to its makes it seem like there’s some sort of mystery behind it. But it’s just a song about having a good time with a metal detector and going to the beach to find things under the sand. The group always have a knack for writing great songs about the most menial tasks. Or passionate hobbies, whichever way you want to look at it.

According to This Might Be a Wiki, this is quite a popular one among TMBG fans. It’s their 37th best song. The band haven’t ever played it live that much though. My guess would be that maybe the repetitive nature of the song just isn’t to the band’s liking, though that’s just a shot in the dark. Could have been a single for me. It’s nothing to think about too much.