Tag Archives: my ipod

#675: Blink-182 – Josie

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Was sometime in 2005 when I first came across ‘Josie’. Blink-182 had quite recently split up, and the video for ‘Not Now’ was usually on the tele. That video played as a sort of clipshow of all the music videos the band had done up to that point. Some of them I hadn’t seen before. So I guess that stirred my curiosity and I went to check out the band’s older stuff.

Seeing the videos for ‘Dammit’ and ‘Josie’ I thought they were the most hilarious things I’d seen in my life. I was ten years old at the time. Even so, the humour in both clips hold up to this day. Mark Hoppus and Tom DeLonge ham up their acting performances just perfectly in the story aspects of the two promos. I’ve talked about ‘Dammit’ before though, so what about ‘Josie’?

Well, ‘Josie’ was released as a single from the band’s second album Dude Ranch in 1997. This was the last LP of the band’s featuring original drummer Scott Raynor, who was dismissed from the band the following years for reasons that no one knows for sure but is widely agreed that alcoholism was involved. The drumming on this particular track is just as frenetic and thunderous as the stuff Travis Barker would do from Enema onwards. Though Barker is definitely the better drummer, Raynor fills the role fine propelling the power-chord led track’s rhythm further and further with snare rolls and cymbal crashes.

The track is about having a girlfriend and the benefits that arise from the situation. Mark Hoppus wonders how he got this girl in the first place and how she hasn’t left him for another man already. But he takes great pleasure in the small things she does, and when he gets home late from work and she’s there – well, he’s happy to be alive. I do enjoy watching the video along with the music. It’s one of those that just makes the song sound better. Though it is a fantastic track by itself.

#674: Enter Shikari – Jonny Sniper

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‘Jonny Sniper’ was the last single to be released from Enter Shikari’s Take to the Skies album in 2007. At that time I was twelve and just about finishing my first year in secondary school. I thought the band were cool and, again, their videos were a usual feature on MTV2. And that’s how I got to know this track right here.

After all these years I never realised that the song has a strong environmental theme to it. It’s really obvious when you read/see them. I’ve always enjoyed it mainly because of its somewhat uplifting tone and the vocals between Rou Reynolds and bassist Chris Batten. Looking at the album’s Wiki page, it is classed as post-hardcore and trance(?). And there are a lot of post-hardcore elements in this track. Those double-bass pedal drums and the chugging guitars in the mix add to it. But generally ‘Sniper’ is one of the more poppier (I guess) sounding songs on here. And I don’t think that’s any detriment to the group’s usual style. It’s cool that they can mix their harder material with the almost light-hearted matter too.

I don’t really follow the group so much anymore. Time goes on and music tastes change or whatever. I’m taken to a time when I was a jumped up teenager who had more energy for things. I’ll check out a new song if it’s out. Skies and Common Dreads are in my library to this day though and won’t leave any time soon.

#673: Wolfmother – Joker & the Thief

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I haven’t listened to any new Wolfmother material in years. Not saying I was the biggest fan of the group in the first place. But when two original members left and the new album then was going to be called Cosmic Egg, that’s where it lost me. The albums they’ve made since the self-titled debut may well be quite for all I know, but probably wouldn’t hit as hard as that first record.

‘Joker & the Thief’ is a track from that album. It was also released as a single, the last one – at least in the UK – if I remember right. Its video (above), featuring the cast of Jackass due to its inclusion in Jackass Number Two, was played regularly on MTV2. That’s pretty much how I got to know it. But it was another hit in a long run of great singles from the band that urged me to get the whole album.

After seeing/hearing it so many times on television, it’s quite difficult to get down into the nitty-gritty of what makes the song good. It’s just a great hard rock song. A bit Led Zeppelin-like in the way they take a character and describe them in a way that makes them seem far out and cosmic. I also like that there’s no bass guitar in the track, instead being replaced by a keyboard that works equally as well. It’s quite different to what you’re normally used to.

#672: The Kinks – Johnny Thunder

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The Kinks Are the Village Green Preservation Society was released on the same day as the White Album, if you didn’t know. In comparison to that, Village Green barely sold any numbers and fell on deaf ears. Apart from those of critics who loved it. Apparently songs about nostalgia for younger days and British pasttimes weren’t hip in the political times of ’68. Maybe if it was released in ’67 things could have been different. More than fifty years on it’s recognised as The Kinks’ arguable magnum opus. I can’t say I like any Kinks album better than it.

‘Johnny Thunder’ is the fourth song on Village Green and, in Ray Davies’ words, is a song about rebellion and a lad Davies idolised when he was a child. The lyrics paint a pretty good picture of what Johnny’s about. He’s just a guy who gets by, going his own path in life no matter how badly the people of the town look upon it. Obviously, this person made a great impression in Ray Davies’ eyes. He writes a very uplifting song in tribute to Johnny, one that’s optimistic in tone and strident in its rhythm. It’s also packed with fantastic melodies from the verses to the chorus to its bassline and little guitar fills throughout.

So there you go. Make of it what you will. It’s worth your while listening to the whole album. You can’t go wrong.

#671: Stephen Malkmus and the Jicks – Jo Jo’s Jacket

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Another one from Stephen Malkmus’ debut solo album, ‘Jo Jo’s Jacket’ was released as that record’s second single in 2001. It is not about anything in particular. Its title has nothing to do what appears in the verses. The closest thing relating to Malkmus that I think ‘Jo Jo’ could be is The Jicks’ bass guitarist Joanna Bolme, and even then it doesn’t make things any clearer. Though if there’s anything Stephen Malkmus is known for, it’s somehow making a coherent lyric out of the most random things.

It starts off as a song from the perspective of actor Yul Brynner, known for his shaved head and starring in the film Westworld in 1973, who provides the spoken word introduction taken from an old interview. It then switches to a kind of stream-of-conciousness type lyric in the second verse which may or may not be a slight dig at Moby. And then, sandwiching these verses, is a joyful wordless chorus that glides along with the track’s tempo and general breezy atmosphere.

Whatever the subject matter may concern, it really doesn’t matter in the long run, the song’s infectious groove and melody can’t be denied. It’s one of the straighter rockers on Stephen Malkmus but, compared to say ‘Discretion Grove’ which I think is okay but never really loved, it gets my foot tapping every time those first power chords hit.