Tag Archives: my ipod

My iPod #507: Interpol – The Heinrich Maneuver

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“The Heinrich Maneuver” was the first single from Interpol’s third album Our Love to Admire, a work that was also their first to be released since moving to major record label Capitol Records. I remember really getting into the song itself when it started to circulate around the Internet in the early summer of 2007; I wasn’t the greatest fan of the band at the time, though I thoroughly enjoyed their songs via the music videos that aired on MTV2 and I was glad that their ‘comeback’ didn’t disappoint. The video for this one on the other hand… could have been a bit better.  It’s cleverly put together, though I would have liked to see the band in it.

Singer and guitarist Paul Banks gets the song off through singing its first line before being joined by a stop-starting guitar riff and drums. It isn’t long until all the members enter the frame, especially former bassist Carlos Dengler who once again executes yet another weaving and inventive bassline to keep everything together.

It is quite a dramatic track. No doubt the bigger-sounding production has something to do with that feeling, but the song’s overall atmosphere gives it that further kick. That spooky false ending, Banks’ energising vocal take (which I’m sure exhibits a range not shown on any of their previous singles), or those synthesized strings during the song’s climactic ending – those are just a few elements out of many which make “The Heinrich Manuever” one of Interpol’s most thrilling tracks in their catalogue.

My iPod #506: Enter Shikari – Hectic

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Let’s get back to business.

“Hectic” by Enter Shikari is another about the good times of the past – but this time focuses on staying round at the houses of various friends listening to music, playing Sonic and Golden Axe on a Sega Mega Drive (Genesis) and carelessly running and jumping across the rooftops in the town. Like the last song I talked about in this series, the track also wishes to go back to those days of innocence and naivety as those of today aren’t so great in comparison. “Things aren’t right” as it is sung in the bridge before the final choruses, and the dread of today has left the narrator feeling as if they are own their own and nothing will be able to change the situation.

Being the penultimate song on Common Dreads, the track provides the rush of pure excitement containing blaring keyboard blasts, vocal interchanging between singer Rou Reynolds, guitarist Rory Clelow during the singalong choruses and an overall soundscape that will have you lunging around the room in various directions. Though there is a brief but poignant moment in which bassist Chris Batten with his choirboy-ish vocals takes lead in the midst of it all, it isn’t long before the hurrying drums and guitars enter to bring the track to a thrilling end.

My iPod #505: Wilco – Heavy Metal Drummer

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Both this track and “I Am the Man Who Loves You” jumped out to me as being the radio-friendly hits from Wilco’s well-respected album Yankee Hotel Foxtrot. Though the album did go through a ton executive meddling that pushed back its initial release and forced it to be distributed on a completely label altogether, all of which was pleasantly documented, it could have been commercially represented by singles which I think would have been very popular. But what do I know?

“Heavy Metal Drummer” is one of the brighter, and lighter sounding tracks on the album. Faking you out with a boom-box drum beat for the first few seconds, the song suddenly bursts with a delightful piano line and brisk acoustic guitars amidst a general perky beat provided by drummer Glenn Kotche. The mix is then filled with bubbly synthesizers for the majority of the track as Jeff Tweedy recounts memories of the past from the heavy metal bands to personally playing Kiss covers whilst high.

You can’t help but feel the melancholic undertone when Tweedy sings “I miss the innocence I’ve known”. He yearns for the times when life wasn’t so hard and everything was alright. But the music’s uplifting and sometimes child-like playfulness overtakes that lingering sadness.

My iPod #504: Nirvana – Heart-Shaped Box

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So this song may or may not be about Courtney Love’s vagina. Meh. If it is, it’s still a damn good song about one. A classic that doesn’t need much discussion. You must have heard it, that’s the only reason I say this.

“Heart-Shaped Box” was the first single released from Nirvana’s third and last album In Utero in 1993. Its music video was one of the main reasons why I immediately liked the track. Although it was mildly comedic watching Kurt Cobain going insane and lunging at the camera with the widest and bluest eyes with every “HEY” and “WAIT”, it was fascinating seeing the guy that bit more close and personal in one of their music videos. I can only imagine how people felt viewing it when it came out for the first time. The Ku-Klux-Clan child, the old man on the crucifix with the Santa hat, the fake fetuses hanging of the tree branches… the singing crows……. I am not making this up. It’s too much.

As for the music… well. It is rough. That is the one word I think sums up this, and the rest of the album, very well.

My iPod #503: be your own PET – Heart Throb

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“Heart Throb” is from be your own PET’s second album Get Awkward, released two years after the band had been on the radar for a while and unveiled their debut album to the masses. The second album exhibited a slicker production and precise style to the band’s music, but the change did not take away from their ecstatic performances and juvenile subject matter.

The third track “Heart Throb” is a fast-paced, in your face slammer about a girl who, despite having a boyfriend already, can’t help but get weak in the knees when she catches another boy – possibly the ‘heart throb’ the song is titled after – looking back at her when she tries to catch his glance. She has major feels for the guy, but realises that it’s probably for the best that nothing could happen between them, because she already has someone who will take of her.

It is an exciting listen. Over just after two minutes, but a balls-to-the-wall performance nevertheless.