Tag Archives: my ipod

My iPod #341: Goldhawks – Everytime I See You Cry

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Have you heard of Goldhawks? If so, I congratulate you. If not, I don’t blame you. I don’t think there is a large amount of people out there who do. Their debut album “Trick of Light” was released in 2010. Did you hear anything about this from the television? I certainly didn’t. I was watching The Jonathan Ross show when a sample of a song of theirs was used alongside a compilation of Andre Agassi playing tennis. “Everytime I See You Cry” was not that song. But if it wasn’t for that I definitely would not be typing this, or have any knowledge of this band whatsoever. The album doesn’t even have a Wikipedia article, so I can’t link it to you. They do have a channel on YouTube though.

What do Goldhawks sound like? A bit like an indie rock version of U2 with a singer who sounds like Gaz Coombes from Supergrass. You interested? I’m glad. I would also say that their music is actually represented well by the album cover. Why I feel their music is best to be played when strolling in the city during night time with lots of bright lights is probably depicted all in that one beautiful picture.

“Everytime I See You Cry” greatly sets off the mood, being the opening track on “Trick of Light”. Though it’s about feeling guilty about having to leave a partner for work (in this case, I’ll say it’s about touring or something), the ‘get ready’ refrain and rocking music is very encouraging and inspiriting.

Goldhawks may not become very popular. But I’ve got to get the word out somehow. We can all listen together.

My iPod #340: They Might Be Giants – Everything Right Is Wrong Again

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They Might Be Giants are known to be unorthodox when it comes to making music. The two Johns seem to be able to use any instrument or find some weird recording technique to produce a song. And they will never disappoint in giving you something different with each album they come out with. But most importantly every album of theirs is a fun and entertaining listen, and nothing sums up those two adjectives then They Might Be Giants’ debut album. Look at this album cover and tell me you don’t feel just a bit happier after looking at it.

It all began with this track. “Everything Right Is Wrong Again”, is about exactly what the song title tells you. Everything is going bad and the narrator only wants to know when things get better again. And while this may be a bit dire, this is all sung against some of the happiest music that’s been written. Sometimes it reminds me of that kind of music that would be a theme tune to a comedy show or something (there’s just something about that chord progression during the “all the dishes” part that makes me feel it should be in a cartoon). Or it may just be the reference to a comedy film that is made in the refrain.

I think if you were to ask me what track I thought really depicted what They Might Be Giants are all about, it would probably have to be this one. Most of the themes the group use are covered in the two-and-a-half minutes “Everything” lasts for and the track is cleverly written with humorous lyrics and busy rhythm. It slows down only for the middle section before resetting back to its original pace for the last chorus, where the keyboards rise in volume and perform the most joyous, almost-classical sounding piece of music bringing a triumphant end to a brilliant opening track. The fun carries on for eighteen more songs after.

The post is over now.

My iPod #339: Radiohead – Everything in Its Right Place

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“Everything in Its Right Place” is the opening track on Radiohead’s “Kid A” album, one where the band completely diverted away from their heavy guitar-driven music to warmer, electronic material. Fans waited for three years after “OK Computer”, full of anticipation with what Radiohead could deliver. Apparently, “Kid A” polarized many. Either people loved it ‘cos of the new musical direction, or hated because of the same reason. Whether the band made the change to make people not like it as much, I’m not sure. The members, especially Thom Yorke, were burnt out from the success that “OK Computer” gained. “Kid A” made them a lot more successful anyway.

I was five when the album was released, and so have no recollection of anything Radiohead did. Who were Radiohead? I didn’t know; I was in Year 1. But I eventually got round to listening to “Kid A” (and “Amnesiac” for the hell of it) in 2012. Why did it take me so long? Well…. I think I used to label those years as the period where Radiohead went a bit weird. The first song I remember liking from them was on “Hail to the Thief”, and their singles I usually saw on the TV were “Creep – OK Computer” era. It wasn’t until I actually researched that both albums were very much appreciated, that I thought I would listen to them.

And so “Everything in Its Right Place” started playing, and it was then that I realised I might have been missing out on something. Everything about it is just so peaceful, calm and tranquil even though the lyrics are from the perspective of a person going through some problems of their own. Got a steady 4/4 beat playing against a 10/4 time signature, unconventional yet wouldn’t sound out of place in any dance/house party. And the song’s only made up of four phrases which are repeated in many different and memorable ways, that when you think one will be repeated again the track begins to fade out. And then it’s gone.

I’ve seen comments from people saying that Radiohead should start playing guitars again but they did do this song, cut them some slack.

My iPod #338: Kanye West ft. DJ Premiere – Everything I Am

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“Everything I Am” was a song that was made for Common that was passed on, something Kanye West mentions early in the song.

It was composed using only a Rhodes piano, a vocal sample, and some scratching, this song stands as the album’s most stripped down production. West marries a down-tempo beat to gentle piano chords that are accentuated by soulful cooing sampled from “If We Can’t Be Lovers” by Prince Phillip Mitchell.

This is soulful and mellow beat is complemented with Kanye’s very introspective lyrics about topics such as self-examination, personal troubles, his own flaws and made up gangsters.

The track features a scratched hook by DJ Premier on the vocal sample: “here we go again,” from Public Enemy’s “Bring the Noise”. After West had played an early version of this record for Premier and asked him his thoughts on it. DJ Premier answered he liked the lyrics and the beat and offered to put scratches on it.

……. OK, that was a definite cop out. That’s all from RapGenius, I’m sorry.

I couldn’t put a description of the song in better words myself. Mostly because I didn’t know most of the information that is there.

“Everything I Am” is chill, man. I like it just because of its modesty and humour (something you probably wouldn’t say about him today) and because of the cool, laid back beat which you only have to nod your head to and really focus on what the man has to say.

I miss old Kanye maaaaaaan, bring him back, this is what I waaaaant.

Seriously.

My iPod #337: The Beatles – Everybody’s Got Something to Hide Except Me and My Monkey

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Hey what’s up how’s it going?

Today’s first song is from disc two (or side four for all you vinyl people) of The Beatles self-titled album from 1968. Or “The White Album” as almost everyone refers to it. That year was when John, Paul, George and Ringo started to dislike each other a bit. Why? Well there’s one word that the latter three, and a lot of fans would answer that question with. Yoko. John Lennon and Yoko Ono were hardly ever apart, even during recording sessions, and this aggravated George, Paul, and Ringo quite a bit. How did John answer this? Possibly by many ways which would have gone on behind closed doors, but for us he wrote “Me and My Monkey”.

“Monkey” should be played very loudly out of speakers. It gets me in the mood to party. It sounds like the band had a very fun time recording it, what with the random howls and screams which appear after almost every “Come on” that John yells, that incessant bell that never seems to end and when John also appears to start becoming a sheep right when the song begins to fade out.

It may be about heroin use and there may be some sexual connotations thrown in too, but those are just interpretations.

Dunno about you, but has anyone else noticed during the breakdown near when only the guitars and bass are playing that the bass plays a sharper note than the guitar chords? Just irks me a bit. But still, it’s cool. Very good hard rock song.