Tag Archives: my ipod

My iPod #311: Pink Floyd – Eclipse

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How tense was that penalty shoot out, oh my god. Looked like it was Brazil all the way when Cesar saved both of Chile’s penalties, then Willian fucked up leading into Chile’s come back and then Chile fucked up when their player hit the post….. Maaan. I feel sorry for Chile, they played very well. But could you imagine what would have happened if Brazil had lost, shit would have gone down on a major scale. Good luck to ’em, I think they just might win it somehow.

Completely unrelated to that is the track I have today. It is “Eclipse”, the closer of progressive rock group Pink Floyd’s classic 1973 album “The Dark Side of the Moon“. Each track on there details specific things which human beings crazy from death, to money, to choice, to actual brain damage. But “Eclipse” is where everything all comes together. “Eclipse” basically sums the whole album’s message up in the few lines it has. That message is all the good things life can offer are there for us to grasp, but that the influence of some dark force in our natures prevents us from seizing them. Roger Waters said that himself, so neeeeh.

It is an epic finisher even in it’s short duration of two minutes. Set up by three booming simultaneous hits on the toms and snares, the song explodes into life with a cymbal crash and a glorious organ that joins in. As Roger Waters sings, the music builds in intensity with back-up vocals joining in and various female singers wailing and scat singing over it all. That lasts for about a minute and a half before the song fades out on its final chord, only leaving the sound of a heartbeat to eventually fade out to silence.

Yep. Good song. Can’t listen to it by itself though, sounds a lot better when you listen to it along with “Brain Damage”. And the other eight preceding songs for that matter.

R.I.P. Bobby Womack.

My iPod #310: Paul & Linda McCartney – Eat at Home

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“Eat at Home” is probably one of the cheesiest McCartney tunes. And Paul has written a lot of those. Everything from the cheery melody and the melismatic vocals on the word ‘love’ and all the general gushing on Paul’s part on how great his relationship is with Linda may make a listener want to throw up, gag, annoy or just bring to displeasure for a lot of listeners.

I think it’s quite good, actually. One of the most enjoyable tracks on there. A nice, pleasant, easy-going track…. possibly about oral sex. Yeah.

Musically, it’s pretty easy going. But I think it contains one of Paul’s busiest bass takes. He’s always switching between different notes, ascending and descending scales in the bass line while the other instruments play around it. Paul sounds very happy singing, throwing in his trademark “woos” and “ahhs” and really emphasising syllables, as you hear on the very first line (come on little lllllaaaayu-DUH).

Yes, it’s all a bit silly and shit. It does come after one of the album’s most dramatic tracks, so it’s a good way to relieve the tension.

It’s on “Ram“, by the way. Have a listen. You might enjoy it.

My iPod #309: Green Day – East Jesus Nowhere

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Watching the World Cup and then going on to do nothing but browse the Internet after almost made me forget that I had this to do. If you are watching the football, how’s your team doing? Both teams that I were supporting are both out now which smells, but I will of course carry on viewing the action.

So today’s song is “East Jesus Nowhere”, a track and a single from Green Day’s album “21st Century Breakdown”. Not my favourite of the band’s for reasons that have probably been covered in other reviews that you can read elsewhere. For me, the whole ‘concept’ is a bit too much; I still don’t really understand it now but I never tried to in the slightest. That’s just one thing; I won’t go much into the rest.

“East Jesus Nowhere” is an ‘anti-religion’ song inspired by Mike Dirnt’s displeasure on witnessing a baptism in a church filled with ‘hypocrisy and hatred’. Billie Joe himself said to The Sunday Times that “the never-ending hypocrisy of religion, all those snake-oil-salesman types, and that subliminal thing of threatening people and ripping away their individuality.” Can’t ask for more than that really.

It’s a track I don’t care for that much. Sounded good back in 2009, but now….. ehh. It’s alright.

My iPod #308: Linkin Park – Easier to Run

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Hmmmm…… It’s now 2014. So from what I remember the first time I actually listened to a Linkin Park song was when the “Breaking the Habit” video was showing on the television. Well, either that or the one for “Numb”. Crazy. I’ve known Linkin Park for about ten years now. But they’ve never been my favourite band. I can get into their songs though. Especially their songs. Not the most recent ones though, I’m a bit off with those. I’m more the “Hybrid Theory”-“Minutes to Midnight” Linkin Park guy. I’m actually not that big of a fan of “Minutes” either. The singles off it are great though. Nah. My favourite album of theirs is the one in the middle of those two, “Meteora“.

Yeah man, “Meteora” is the only Linkin Park album that I could sit down and listen to all the way through. It gets a bit of shit for sounding a bit too much like its predecessor. I can’t add much to that. Never listened to “Hybrid” in full. Nu-metal is a genre where you can’t really change much too. You have the rap-rock style which is done very well on “Meteora”. The same can’t be said for a lot of nu-metal albums out there. All the songs segue into each other too, and I like that shit.

“Easier to Run” is a track on “Meteora”. The sixth one, I believe. It’s about finding easier to run away from your problems rather than facing them head on, because of the fear of facing more pain. Quite sad, yes.

I’ve always liked how this song sounds. There’s something very epic and atmospheric about it. The quiet and meek tone established by Chester’s vocal and the light guitar plucks during the verses which then builds tension when Mike comes in with his part and the strings enter before caving into the loud guitars that take over during the chorus. Very cool.

It’s all very slow too. But not in bad way. It just makes you appreciate it more, you know? And it makes a good contrast to the following track, whose one note string opening appears in the last few seconds of this one. Just as the dust settles, there’s something running at you that you can see from a distance. Then “Faint” takes over. Good transition.

My iPod #307: The Who – Early Morning Cold Taxi

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Today’s track is “Early Morning Cold Taxi” by The Who, one that wasn’t released on an album when the band were making music in their heyday. I heard the song when listening to the 1995 Remixed and Remastered version of “The Who Sell Out“, the band’s third album released in 1967.

What the song title actually means is beyond me. I never really think about it that much. Maybe the phrase just fit the melody of the song or whatever. “Cold Taxi” wasn’t written by Pete Townshend, who obviously wrote pretty much everything The Who did, but instead a guy named Dave Langston who was the band’s first roadie. The song is actually credited to both him and lead singer Roger Daltrey, but Daltrey didn’t actually do much. He didn’t write any of it at all really.

But this isn’t a bad thing. “Cold Taxi” is a nice poppy number with, what I think are vocals done by both Daltrey and bassist John Entwistle, the former being in the right side of the ‘stereo field’ (that is how it’s described, right) and the latter on the left. Got great vocal harmonies and a sweet melody, an innocent little ‘ooooh’ bridge section and a few key changes here and there. It’s a nice song.

The song is about three minutes long, and ‘cos of the whole radio concept the album’s supposed to have it is followed by a thirty second Coke jingle that the band actually recorded for the company all those years ago. It does take the momentum out of the track, but it is a rocking advertisement for a drink.