Tag Archives: my ipod

My iPod #283: OK Go – Do What You Want

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This song has three official videos for it. Why, you might ask? I’m not particularly sure myself. But the one above isn’t the one I wanted up. This is the version I saw on the TV first so it has that extra sentimental value or whatever. The ‘tour’ version will have to do.
This is “Do What You Want”, a song by OK Go released as a single from their second album “Oh No” released in 2005. What a track this one is too. After seeing “A Million Ways” and being captivated by the band’s creative dance routine, I didn’t see anything from the band for a few months until this unexpectedly popped up in a random music chart on MTV2. It may have been in a “New Music” segment thing, but the memory’s a bit fuzzy.
I’ve never cared to think about what the song’s about. Not in a bad way; I’ve always liked the way it sounded. Really bright, with a clunky guitar riff and a smooth and deep bass line. Along with a nice positive message of doing what you want. It’s something to play at those parties where all you play is indie tunes. It’s bound to get some people on their feet. I’ve never been to any of those kinds of parties, so I wouldn’t know. Then the song was part of the soundtrack of Burnout Revenge, and it buried itself into my head that much more. Something about racing down the street and taking out cars at high speeds caused a proper adrenaline rush. This song, as well as the many others, made the experience so worthwhile. I should play that game again, I haven’t even completed it.
Enjoy the song.

My iPod #282: Super Furry Animals – Do or Die

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After coming downstairs in the early hours of the morning, switching on the television and changing it to MTV2, the video for “Do or Die” – the last single from “Guerrilla“, the third album by Welsh band Super Furry Animals – came on. It was over quickly because the song’s only two minutes long, but even afterwards I could slightly remember the melody of the chorus, even though I had no idea what Gruff Rhys was singing apart from the title phrase. That was in 2005 or so. I didn’t hear it again until roughly seven years later.

“Do or Die” wasn’t even supposed to be a single. Originally the band had chosen the album track “Wherever I Lay My Phone (That’s My Home)” for release, but the label meddled around and promoted “Die” instead. The band weren’t very pleased. I am though, “That’s My Home” annoys me a bit; it’s very repetitive and doesn’t really go anywhere. It one of those tracks that I think I would have liked when I was four, and then listened to it later on in life thinking “What was so good about this again?”.

The track’s cool, man. It’s got funny lyrics about riding camels and eating tomatoes and a simple, catchy riff that alternates between two chords. The track becomes louder and louder from the instrumental part onwards before coming to a complete stop whilst synthesizer noises carry on and eventually fade out.  Plus it has a really bubbly intro, helped along with those keyboards, that sounds like background music to the start of a Saturday morning children’s television show.

My iPod #281: Arctic Monkeys – Do Me a Favour

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“Do Me a Favour” is a song from Arctic Monkeys’ second album “Favourite Worst Nightmare”. Have I mentioned that this my favourite album of theirs? I may have done before. I’ll assume that I’ve stated why that is my opinion, so I won’t go into that again.

Placed after the mellowest track on the album, “Do Me a Favour” starts off the second half of “Nightmare” with a minor-key track about the end of a relationship from the point of view of a man who has cheated on his girlfriend and feeling so guilty about it eventually tells her.

The track begins with ominous rolls on the tom-toms, followed by ascending bass line and Alex Turner’s vocals. It continues to slowly build brick by brick (hehe), as the guitars are introduced later on. The majority of “Favour” is calmly delivered, before launching into the explosion near the end where Turner sings the last verse and everything comes to a close.

As it is only an album track, there is not much extra information I am able to provide. Sorry. The point is, it’s a decent one. If you haven’t heard it, spare a few minutes.

My iPod #280: Fall Out Boy – Disloyal Order of Water Buffaloes

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Fall Out Boy time. I listened to “Save Rock and Roll“. Wasn’t too great. And it was their first one after a four year hiatus. Disappointing. Everything sounded so manufactured and poppy, ironically. For me, “Folie à Deux” is the band’s best album. It’s their worst-selling one, which I don’t understand. If you haven’t listened to it, I suggest you should.

The album opens with this track “Disloyal Order of Water Buffaloes”, a song about imperfection with a title that is a reference to The Flintstones. I don’t get it either, but a lot of Fall Out Boy song titles are weird in that way. I’m not liking the way I’m sounding, I’ll get serious from now on.

The song is another great album opener out of all the ones I have on my iPod. It does use the same chord progression as “Baba O’Riley” albeit in a different key – that’s a random point I chose to throw in there. What I like about the track is how it never slows down or takes a breather for a bit. The track mostly revolves around the drums, played by Andy Hurley, changing in dynamics at various points like in the second pre-chorus where Patrick Stump continues to sing with sporadic multi-tracked vocals along with a noodling electric guitar, or near the ending when the “detox just to retox” refrain is chanted continuously. Plus, Patrick Stump absolutely kills it on the vocals. It seems like all the singing on the previous ones were all leading up to this particular one because here he is at his peak on every track.

“Water Buffaloes” is hard to describe if you couldn’t tell from my convoluted ‘summary’. It’s one of those that I knew was good on first listen. You can’t listen to it by itself though, it doesn’t have a proper ending. Listen to it along with the twelve other tracks that follow. That’s the best way to hear it.

My iPod #279: The Who – The Dirty Jobs

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Maybe I should have tweeted that there wasn’t going to be a post yesterday. It would save time in having to explain why. I was out, and for anyone that was desperately waiting for that usual update in their Twitter feed…. I am sorry. Dreadfully sorry. But it’s here now, and will be followed by another one soon.

Here’s one random question I want to ask….. Is it wrong to be young and really like The Who? This randomly came up as a thought when I was listening to The Who on shuffle, when I was on the train back to university from Liverpool. I think The Who are amazing (or were); “My Generation” through to “Who Are You” speak for themselves. But I’ve never met in person or seen on the internet anyone my age who feels the same way. I feel as if The Who’s the kind of band who are only listened to by middle-aged men trying to make their name in the rock music business or something. You see, hear or research about new bands who say that they are influenced by The Beatles…. or material that the members went on to produce in their solo careers. But you never really see any new and talented vocalist say they are inspired by Roger Daltrey, or a bass player inspired by John Entwistle. I stress that this is new bands that I’m talking about here. There are loads of bands I listen to who admire each and every member. But…. I don’t know. Maybe it’s a generation thing….. That pun wasn’t intentional.

That’s something you guys can think upon.

But enough of that. Today’s track is “The Dirty Jobs”, a song from the band’s second ‘rock opera’ “Quadrophenia“. At this point in the album’s ‘plot’, the narrator has left home and meets these workers who do ‘the dirty jobs’, such as looking after pigs and driving the miner bus. The narrator criticises them for not sticking the middle finger up to ‘the man’. That sums the song up lyrically.

It’s astonishing how though in this song – hell, through the whole album – it is the four members of The Who who play every instrument you hear. Except for the piano part that’s played a session musician. I brick-walled the track using Audacity (something I still have polarizing feelings about now). It’s very loud, mostly thanks to the constant cymbal thrashing and drum pounding from Keith Moon, but I can’t listen to it any other way. Just everything about the song is brilliant. Awesome. Great. Fantastic. Can’t think of superlatives to emphasise how good the track is.

Actually, just listen to “Quadrophenia”. You must. You won’t forgive yourself if you don’t. Arguably The Who’s creative peak as a group.