Tag Archives: my

#604: Jakobínarína – I’ve Got a Date with My Television

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The song next up on my phone is ‘I’ve Got a Date with My Television’ by Jakobínarína, the eighth track on the band’s only album The First Crusade. They were an Icelandic group who split up just as things were on the rise for them; that was eleven years ago. They’ve been lost in time as a result. They made good stuff though in the short time the band members were together. Some of which I’ve written about in the past.

‘My Television’ is somewhat of a commentary on the fixation on celebrity culture and the tendency to put too much trust into what famous people are doing with their lives instead of thinking about ourselves. The way this commentary is done is very simple. I may have even put too much thought into it. References to Oprah Winfrey advice on ideal body weight and David Beckham’s looks are made. The song’s chorus lyric ‘TV friends don’t stab you in the back/Keeping me on the right track’ sum up the song’s message. There is a strong sarcastic sense that is meant to be provided by the lyrics but you wouldn’t be able to tell with the almost glitzy sheen of the instrumental. Especially that (keyboard?) jingle in the introduction and the strings that arrive during the coda.

I own The First Crusade in CD format and unfortunately the lyrics for the tracks weren’t included in the liner notes. A bit of a shame really, seeing as the song’s lyrics in the bridge are in a completely different language. Or a mix of a various languages. All I can make out is ‘Guten abend’ and ‘Guten tag’, the rest I can make the sounds of… but I don’t know what he’s saying. Generally I think it’s just to show that television fascination is a something that happens all around the world. At least in the countries that speak the languages vocalist Gunnar Bergmann Ragnarsson sings during that part.

My iPod #533: The Rutles – Hold My Hand

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“Hold My Hand” is a song written by Neil Innes which featured in the mockumentary All You Need Is Cash, a television film that traces the career of the fictitious rock band The Rutles. The music and events depicted within parallel those of The Beatles, and as “I Want to Hold Your Hand” was the track that propelled the group to stardom so was “Hold My Hand” for Ron Nasty, Stig McQuickly, Stig O’Hara and Barry Wom. The film is a hilarious watch, recommended for any Beatles fan. Or Monty Python for that matter.

A love song about a man who feels the woman he has feelings for isn’t right for the guy she’s going out with, it is arranged using the styles of a few of The Beatles’ early numbers. One can hear similarities to “Eight Days a Week“, “All My Loving“, “I Want to Hold Your Hand” and “She Loves You“, just to name a few. Though Innes brilliantly fuses all the elements together to make a number just as playful, catchy and ironically original. Very nice.

My iPod #465: The Beatles – Got to Get You into My Life

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“Got to Get You into My Life” is the jubilant, horn-heavy, Motown influenced ode to marijuana written by Paul McCartney, appearing as the penultimate track on the Revolver album. Why do I say it’s an ‘ode to marijuana’, you may be thinking. Well because that’s what it is. McCartney said it himself; the statement can be read in this authorised biography. Sorry to all those who’ve thought it was a typical song about yearning for love. But the real influence behind it makes the track all the more clever, slick and a bit humourous.

But when the first note plays and the blaring horns play the memorable introductory phrase it doesn’t matter what it’s about, you just know that the song is gonna be a good one. It doesn’t disappoint. Paul pulls off yet another stunningly smooth vocal take amongst the aforementioned brass instruments, leaping from the tamest of notes to the other end of the spectrum in a matter of milliseconds. It’s may be a bit worthy to note that Paul is the sole Beatle to sing on here with no harmonies from John and George, something that’s eventually mirrored by the former’s sole vocal presence on the next track. Still the two are make their presence known in the music, particularly George who from out of nowhere brings out a stellar lead guitar solo at the song’s climax, cueing the celebratory coda.

A brilliant track. It’s the last song on the album that you can get up and sing your heart out to before things get a bit philosophical and spaced out for “Tomorrow Never Knows”. Really dig it.

My iPod #464: George Harrison – Got My Mind Set on You

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So one day whilst flicking through the countless music channels on TV, I stumbled across the video for “Got My Mind Set on You” on VH1. The camera shot makes a close up on the artist singing and playing the guitar in an old chair, and the first question I asked myself was “Is that George Harrison?” He sounded like him, and though with a few wrinkles and grown out hair he looked a bit like him too. I don’t know why I questioned it so much. Actually, it’s because it was the first time I’d seen a video of his on television. I do know why. Indeed it was George Harrison who was singing the song, but it’s clearly a stunt double doing the flips and crazy dance moves during the solo.

After taking a few years out of music to pursue other interests during the early 80s, “Got My Mind Set on You” was the first single from Harrison’s album Cloud Nine released in 1987. The track is a cover and was originally written by Rudy Clark and recorded by James Ray in 1962, but George – with the help of Jeff Lynee of ELO – makes the song feel like it’s his own laying a great vocal take in the midst of massive-sounding drums, that iconic slide-guitar, and a dominant presence of saxophones.

Just a note, I listen to the extended version of the song that was released as a bonus track on the 2004 reissue of the album. The song is the same. The instrumental breaks are just a bit longer.

My iPod #415: The Darkness – Get Your Hands off My Woman

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I was eight years old when I received “Permission to Land” as a gift from my cousin. Around the time I thought “I Believe in a Thing Called Love” was one of the best songs to exist, and is probably one of the reasons I started listening to rock music. Some people start with Nirvana; I start with The Darkness.

To this day, I remember my sister asking for the album’s booklet containing the liner notes and lyrics and so on. She then told me that I shouldn’t look in it. Straight up. I asked her, “Why not?” She replied, “Just don’t.” Of course I went on to when she wasn’t looking. I saw the swear words in “Black Shuck” and this song, and saw why she was so suddenly stern about it.

Even though I don’t think as highly of the track/album as I did then, it still brings a laugh whenever I hear it. This track as serious as hell though just like all of the others on “Permission to Land”, I just get the feeling that people wouldn’t have liked them because they were too much of a spoof or a mimic of dramatic heavy metal bands from the 70s or something. But when you have a track like this where the words “motherfucker” and “cunt” are shrieked at a frighteningly high pitch I can’t help but smile at it all. Justin Hawkins is a crazy singer with an astounding vocal range, and “Get Your Hands Off” is just one out of the many where it is shown to its full potential.