Tag Archives: need

#1197: Mac DeMarco – She’s Really All I Need

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Rock and Roll Night Club. That’s a bit of a strange one to me. I’m a big Mac DeMarco fan, and I may have said that quite a few times in the previous posts I’ve written before. But I think I’ve only listened to that particular (mini)-album just the one time. It was DeMarco’s very first release, before 2 even came out, but it was the last one I got round to listening to. I remember the recording quality sounding pretty murky, while DeMarco’s vocals sounded much, much lower than usual. A much different vibe from the usual Mac stuff I was used to. But the one song on there that stood out by not being so different is the one I continue to listen to to this day.

‘She’s Really All I Need’ appeared in my Discover Weekly playlist on Spotify one day at work back in 2018, and initially I was confused. That slinky Mac guitar tone was all there, and the standard calming vocal delivery was present. It was obviously a Mac DeMarco song, but why hadn’t I heard it before? Was this a new song? Then I saw it was from Rock and Roll Night Club, and that answered the question. But because I liked the tune so much from the jump, think I downloaded it to my laptop when I got home, it gave me the motivation to actually go ahead and listen to the whole album. From the first paragraph, you may have sussed that it’s not one of my favourite DeMarco records. But ‘…All I Need’ is definitely one of my favourite songs of his. And so I write to you in the hope that you might enjoy it too.

The track is one of the many, many love/relationship songs that DeMarco has in his catalogue. May even be safe to assume that it’s another written about his longtime girlfriend. Though if you want to get into more depth, it sees DeMarco write about his anxieties. He’s waking up in the middle of the night with shivers. He’s bummed out by these people waving their degrees in front of his face, reminding him of his own inadequacies. But in the end, none of that really matters because he’s got his lady to calm him down and get him on the right track. All very endearing stuff, with a bunch of relatable, humorous lines and a general laid-backness to the proceedings. Also notable in that there’s an actual bridge in the track that DeMarco solos over, which I don’t think he’s done ever since.

#577: The Beatles – I Need You

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It was the sixteenth anniversary of George Harrison’s passing this last week, so it’s very fitting that today’s song is one by the singer/guitarist/overall cool guy that he wrote during those hectic years when he was in The Beatles. ‘I Need You’ was the second Harrison-written composition to make its way onto a Beatles album, appearing on the group’s fifth album, Help!, in 1965.

His first try ‘Don’t Bother Me‘ made its way onto With the Beatles, which Harrison more or less described as an exercise to test whether he could actually write a song. It wasn’t too bad. But of course with John Lennon and Paul McCartney writing their stuff, it was always hard to get a word in. Another song of his entitled ‘You Know What to Do‘ was worked on in 1964, though no one seemingly liked it….. It would be two years until Harrison would get his own song on a Beatles album. On Help! he got two, along with ‘You Like Me Too Much‘. Because Apple are a bunch o’tight poops I can’t link those songs for ya, but you can find ’em yourselves.*

I like ‘I Need You’. Simply another love song that The Beatles were so good at doing in that Beatlemania phase. It’s a track of thoughts and feelings when a relationship ends and you’re just left with the weight of the world on your shoulders. It’s not emotionally heavy at all. It’s all upbeat. Has a simple melody that doesn’t take too long to remember. That volume pedal guitar is possibly the musical highlight of it all as it echoes Harrison’s lines. It feels like a brisk bike ride in a park. It’s very easygoing. It’s always good to here George’s voice once in a while.

*Apple aren’t a bunch o’tight poops anymore.

My iPod #28: Test Icicles – All You Need Is Blood

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All You Need Is Blood! Get it? It’s almost like that Beatles song.

Test Icicles certainly weren’t the band who sounded like they were influenced by The Beatles. Again, they were a band, but unfortunately the music that made was not the music that they were particularly interested in. They formed in 2004, and later split two years later in 2006.

The album this track was released on ‘For Screening Purposes Only’, was released to positive praise on Halloween 2005. Test Icicles were the next biggest thing in dance-punk indie rock terms. Considered to be ‘bigger than The Beatles’ by NME and ‘all cobra’ by Pitchfork Media, the album indeed is very eccentric and filled to the brim with bursting energy, backed up with crazy guitars and a booming, yet pre-recorded, rhythm section.

My sister went through a period around 2005/06 when she started borrowing various albums from her friends. She borrowed this one.

Test Icicles had three main vocalists who all brought their own sound to the table. The main vocalist on this song is Devonte Hynes, though you may know him better as Lightspeed Champion. In fact, Hynes only sings this song and the mindfuck that is ‘Catch It!‘ Sam Mehran sings part of the chorus and pre-chorus too.

I don’t know what this song is about to be honest. You would have to listen to it for yourself to try and get something, but you don’t have to understand a song to enjoy it.

Look out for the backwards rap at the end of the song, also done by Sam Mehran.

If you want to know how the rap sounds like forwards, click here. That’s my video 😀

The song ends. Then, out of nowhere, a bass riff starts. Reminds you of Jaws doesn’t it? It hypnotises you, sets you in a real mysterious, foreboding mood. It leads right into the next song. That’s for another post.

Until next time.

Jamie.

My iPod #16: Radiohead – All I Need

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‘In Rainbows’ was the long awaited Radiohead album that was released as a download, pay-as-much-as-you-want in 2007.

I’m not a great fan of the band, in comparison to other crazy Radiohead fans, I am nothing – I might have already said this in my ‘Airbag‘ blog.

So when ‘In Rainbows’ way back when, I didn’t really see the fuss about it. I thought it was cool that people could pay whatever they wanted like 1p or £100, most fans paid nothing anyway, which resulted in many complaints about how companies don’t get enough money for their stuff being released or whatever. Apparently, pre-release sales were more profitable than the total money from sales of ‘Hail to the Thief.’ So they must have done something right from changing their selling tactics.

I have to admit too that as an album, I still haven’t given ‘In Rainbows’ a chance. I’ve never sat down and fully listened to the whole package. I should do. I really should. Most fans like it more than ‘Hail to the Thief’ and I think that ‘HTTT’ is a very good album, so what could go wrong?

The songs on my iPod from this album are not those I liked upon listening to the album once I received it for Christmas 2007. ‘Jigsaw Falling into Place’ played repeatedly on MTV2 and I liked that song and the video too, no matter how weird the cameras were. The song would be the first I would hear from ‘In Rainbows’.

I first properly paid attention to ‘All I Need’ when MTV2, again, dedicated five minutes of its schedule to advertise its EXIT campaign. The ‘advert’ was basically a music video for ‘All I Need’, which you can watch by clicking these two words.

Still, I didn’t think much of it.

Listening to it many times after though, I realised that the song is great. Quite calming actually. You’re provided with a smooth, soothing vocal by Thom Yorke with a steady backbeat by Phil Selway and a strong bassline by Colin Greenwood. The lyrics come off kinda stalkerish, ‘I am all the days, that you choose to ignore’, ‘You are all I need. You’re alll I neeeeeeeed.’ You probably wouldn’t recognise this, because the instrumentation is very calming. It’s like slowly sinking into a beanbag when you begin to sleep in it. But then, the song picks up and there are thrashing cymbal crashes, a chorus of piano and, overall, a real build in tension of atmosphere with Thom singing ‘It’s all right, it’s allll riiiiiiiight!’ And just when you think the song is going to climax, it ends.

It’s a magical song. I really need to listen to ‘In Rainbows’. Fully though, not just the singles.

Until next time.

Jamie.