Tag Archives: never mind the bollocks here’s the sex pistols

My iPod #538: Sex Pistols – Holidays in the Sun

“Holidays in the Sun” opens Never Mind the Bollocks, Here’s the Sex Pistols, the only album the punk rock band produced during its two year stint in the late seventies. Its title is a bit misleading. It looks and sounds pleasant, but it is really about the high sense of paranoia Johnny Rotten detected when standing next to the Berlin Wall whilst on holiday with his band-mates. Tony Hawk’s Proving Ground on the Nintendo DS had this track on its soundtrack, I gained a liking to it – I am able to talk to you about it today.

The opening guitar and drums beat in time with the sound of a soldier’s march before hastily rushing into the track’s introductory chord progression, blatantly taken from The Jam’s “In the City” which was released six months prior. And all whilst this progression plays Rotten, buried under the noise, sneaks in the first line “A cheap holiday in other people’s misery” – something the band had seemed to take underneath all the controversy the members had earned themselves before the album’s release.

I always thought Rotten’s vocals were the highlights of most Pistol tracks; he doesn’t disappoint here too. He seems to match his countless exaggerations and intensity in tandem with the performance with the music. He sounds somewhat subdued during the first verse before minutes later he turns into a blubbering mess before the track’s climactic solo. He’s not a great singer. To say he sings at all is a stretch. But his delivery makes the song all that more exhilarating to listen to.

My iPod #443: Sex Pistols – God Save the Queen

“God Save the Queen”, the anti-anthem performed by Sex Pistols, was released as a track on the classic Never Mind the Bollocks, Here’s the Sex Pistols. ‘Accidentally’ released as a single during the Queen’s Silver Jubilee in 1977, the song inevitably caused controversy. The BBC refused to play it, a lot of radio stations were banned from airing it. It reached number two in the charts, but there has always been accusations that it was actually the highest selling single at the time and should have been one spot higher.

The track mostly makes fun out of the power that the Queen seems to have over the country. The lyrics note her to be some sort of robot fabricated by her ancestors, and in another instance as some sort of money laundering figure. Though the overall conclusion is that if we all get too hyped up for this monarchy malarkey that towers over the nation, listen to every word they say and take it face value… then there is no hope for us. Though with the lyrics delivered in the trademark snarly, snotty, and sarcastic tone by Johnny Rotten, it’s nothing to take very seriously.

I do really rate Rotten’s vocals on here though. Delivering lines occasionally ending with offhand sniggers and emphatic pronunciation on certain syllables, Rotten from casually speaking the lines at the beginning increases in vocal intensity with every chorus particularly on the “We mean it, maaaaaan” line climaxing with his restrained scream which leads into the “No future” coda. Makes you wanna thrash your arms about and shout at a wall.

So that’s my take on a great song. Very British. Very punk.

My iPod #322: Sex Pistols – EMI

What’s up.

A social gathering prevented me from writing a post yesterday. By ‘social gathering’ I mean I went to my friend’s house to watch the football. And what a boring match it was. Very disappointing. Germany will beat Argentina, I think. There will be two songs today. The first one is by Sex Pistols, and is the song “EMI” from the punk band’s first and only album “Never Mind the Bollocks, Here’s the Sex Pistols“.

The track is about the famous EMI record label, who the band were signed up to for a while in the 70s. They signed a two year contract with it, but left (or were fired) after only three months ‘cos of controversial and delinquent behaviour. The band wrote this, what can be considered an attempt to challenge the label’s credibility or simply a big ‘fuck you’, in reply.

Is it just me or does Johnny Rotten sound even more snotty and annoying on this track, than he does on every other one on the album? I always get that feeling, just because of the subject matter. He is taking the piss and basically announcing why EMI were rubbish, so it wouldn’t surprise me. The vocals on the album in general neither grate on me, nor should they grate on anyone else. They just add to the attitude and mood each track tries to convey. That’s good singing if you ask me. But it really shows on this particular one. Especially in the last verse before the finale where Lydon has a sort of dumb-robotic delivery going on, and the raspberry blown at the very end.

Basically it was the perfect song to end their only album on because it practically summed up what the band were all about: Not giving a shit about anything, or anyone. But themselves.

That’s cool.

My iPod #120: Sex Pistols – Bodies

Hi guys.

I’ve been quite ill this week. It started with a sore throat two days ago, and then just escalated into a cold and now I’m sneezing all over the place with a headache, cough etc. etc. It’s not great. Still, I’ve got a song to get through. Let’s go.

Sex Pistols were the source of many a controversy during their original three year tenure in the seventies. The album’s name was at the centre of an obscenity case, and the songs included sparked up even more debate.

“Bodies” is one of my favourite songs from the album. Originally, I didn’t care for “Never Mind” so much. I only downloaded it in 2009 when I had my YouTube channel, where I uploaded albums so other people could listen to them. That was when whole albums couldn’t be uploaded too. I didn’t thing the songs were worth listening to, but I didn’t take the time to actually listen to them anyway. “Anarchy in the UK” and “God Save the Queen” were the two I had heard several times. I probably assumed that all the other songs would sound the same.

I was very wrong. “Bodies” is like nothing else on the album. It’s probably the most intense song out of the other eleven, not just because of the subject matter, but also musically. Johnny Rotten is very graphic in depicting a “screaming bloody mess” of an abortion, and also manages to utter the word ‘fuck’ in only a matter of seconds. Overall, the song’s major key gives of a positive vibe. If you were to hear this in a bar or something, you wouldn’t sit down to analyse the lyrics. You’d be more likely to be screaming them in the face of a random person who’s also singing along to it.

It’s a song that wouldn’t have a chance to be released whatsoever if it was released today. I guess that’s what made the band so notorious in its prime.

Until tomorrow.

Jamie.

My iPod #36: Sex Pistols – Anarchy in the UK


Sorry for being late.

Mate.”Never Mind the Bollocks, Here’s the Sex Pistols” is one of the best punk albums of all time.

Made up of Johnny Rotten, Steve Jones, Paul Cook and Glen Matlock (who then left and was replaced by Sid Vicious) were the voice of a generation who didn’t give a shit. About anything. They only released one official album of original material, but the legacy they left on the punk genre and Britain overall still goes on to this day.

The first time I heard the song was around 9 or 8 years ago. I was watching this football show, something along the lines of the top ten controversial moments in the Premier League, and the incident where Eric Cantona kung-fu kicked a fan in the stands was shown. Of course it was one of those countdown things where the producers recruited these random celebrities to talk about these ‘controversial moments’ even if they didn’t give a shit about football.

Cantona got in a lot of trouble for that in ’95. The whole ‘I AM AN ANTICHRIST, I AM AN ANARCHIST’ seemed to fit the clip exactly, and seeing Cantona go crazy and hearing the song for the first time freaked me out a bit. I was eight years old at that time so… you know. It was scary.

Again, I would thank Yahoo’s Launch for helping me find the song. I was listening to my specific radio station when ‘L’Anarchie Pour Le UK‘ from ‘The Great Rock ‘n’ Roll Swindle’ played. I thought that the song sounded familiar, even if it was sung in French, and one thing led to another and I found ‘Anarchy in the UK’.

I thought it was the best song I’d ever heard. It was just so punchy and raw, that trademark whiney vocal by Rotten and just the whole ‘don’t give a fuck’ attitude that the song gave off.

‘GET PISSED, DESTROOOOOOOYYAAAAAAAAAH.’

A great message for all the children.

Until next time.

Jamie.

Check out my new video on YouTube.

And Happy Easter too!