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My iPod #332: Supergrass – Evening of the Day

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While being a fantastic bass player, probably one of the most underrated during the Britpop era, Mick Quinn of Supergrass was also a decent singer. He did occasionally take on lead vocal duties on many Supergrass songs such as “You Can See Me” and “Sometimes I Make You Sad” from “In It for the Money“, “Beautiful People” and co-lead vocals on “Mary” from their self-titled album. But it is on the 2002 album “Life on Other Planets” where fans get to hear a lot more of his singing, as he takes on lead vocals on four of the twelve songs on there including today’s track “Evening of the Day”. I asked the man himself if he did take the lead on this one, thinking that he wouldn’t reply……. and to my surprise he did only a few hours later.

Positioned right in the middle of the album, “Evening” begins with some smooth bass and piano. Sounds really laidback, and cool. There’s a very lounge-y/jazzy tone about it all. Quinn enters with his lower register vocal (which is what got me confused about who was singing it in the first place) and goes on to sing about how, during the evening of the day, he waits somewhere (possibly a location of a high altitude) for a person who is very important to him. While he looks at the view, all he can think about is that person. The song’s chorus is a line from a Spinal Tap track “All the Way Home” which is as follows: “If she’s not on that 3:15, then I’m gonna know what sorrow means.”

It is at 3:15 of “Evening of the Day” when what I have described to you above finishes in a minor and rather messy fashion. I can’t tell whether it was supposed to be a different song altogether and the band decided combine it with the first three minutes or if it was all planned. But in this particular part, the band members sing about someone being stoned and not knowing what they’re talking about. Whether they’re referring to the ‘narrator’ of the first part of the song, I’m not sure, but it does bring a light and comedic end to a very good song.

My iPod #327: They Might Be Giants – The End of the Tour

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“The End of the Tour” was a track I heard around the same time as I heard “AKA Driver“, “Dinner Bell“, “Ana Ng“, “Destination Moon“, and many other They Might Be Giants songs for the first time. And that was when, if you’ve read my posts on those few songs you will know, when I was on Yahoo’s Launch site.

I’ve never really cared to think about what this song is about, or what it could mean. I feel very sentimental when I listen to it. Even though I wasn’t alive when this song first came out in 1994, it somehow makes me want to reminisce about friends from the past and other unforgettable moments.

This song is about the end of something…. not just a tour. I think the whole ‘tour’ is a metaphor of life, actually. Whatever. Nothing to care that much about.

It’s a very relieving and comforting way to end the hour-long smorgasbord that is “John Henry”, especially as it comes after the monster “Stomp Box” where you wonder where the album could possibly go afterwards.

My iPod #326: Blur – End of a Century

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Have you ever gone on casually going about on your daily routine knowing that something big and life changing was on the horizon, but you’re just that person too wrapped up in your own life or what’s happening on the television to realise it? Well, I think that’s what Damon Albarn was thinking about when he was writing the lyrics to “End of a Century”, the third track and last single from the 1994 album “Parklife“.

If I was a little older in 1999 – maybe ten or eleven (around those ages) – I would probably be able to tell you how much people were going crazy for the start of the new millennium. I can’t because I was about four and I can barely remember living in the nineties anyway. The only thing I remember vaguely around the start of 2000 was the “Millennium Bug” where all the electricity was supposed to go out and there would be no more power. Even now, I have no idea what it was about.

While there was obviously a large majority of the world who did care that the world was entering a new era, you can’t say that there weren’t some people existing then who didn’t. Thought it was ‘nothing special’. Saw it just like any other day, and were more interested in carrying on with their lives.

So listen to this track, because it’s coming from a guy who was very much aware of what was going on at that time. Well, six years before anyway.

My iPod #280: Fall Out Boy – Disloyal Order of Water Buffaloes

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Fall Out Boy time. I listened to “Save Rock and Roll“. Wasn’t too great. And it was their first one after a four year hiatus. Disappointing. Everything sounded so manufactured and poppy, ironically. For me, “Folie à Deux” is the band’s best album. It’s their worst-selling one, which I don’t understand. If you haven’t listened to it, I suggest you should.

The album opens with this track “Disloyal Order of Water Buffaloes”, a song about imperfection with a title that is a reference to The Flintstones. I don’t get it either, but a lot of Fall Out Boy song titles are weird in that way. I’m not liking the way I’m sounding, I’ll get serious from now on.

The song is another great album opener out of all the ones I have on my iPod. It does use the same chord progression as “Baba O’Riley” albeit in a different key – that’s a random point I chose to throw in there. What I like about the track is how it never slows down or takes a breather for a bit. The track mostly revolves around the drums, played by Andy Hurley, changing in dynamics at various points like in the second pre-chorus where Patrick Stump continues to sing with sporadic multi-tracked vocals along with a noodling electric guitar, or near the ending when the “detox just to retox” refrain is chanted continuously. Plus, Patrick Stump absolutely kills it on the vocals. It seems like all the singing on the previous ones were all leading up to this particular one because here he is at his peak on every track.

“Water Buffaloes” is hard to describe if you couldn’t tell from my convoluted ‘summary’. It’s one of those that I knew was good on first listen. You can’t listen to it by itself though, it doesn’t have a proper ending. Listen to it along with the twelve other tracks that follow. That’s the best way to hear it.

My iPod #260: Billy Talent – Definition of Destiny

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You know what I just figured out? Literally a few minutes before typing this, every last song on Billy Talent’s albums from “Voices of Violence” to “Dead Silence” went through my mind. Despite differences in tempo, structure and everything – all of them are in D major… I wonder why that is. Do you think that they even realised this? Has anyone else pointed this out before? What the hell, Billy Talent, what the hell. They are all solid tracks, I have all of them on my iPod, but they have to use another key sooner or later, right?

On with today’s song.

“Definition of Destiny” is the final track on Billy Talent’s third album “Billy Talent III”, the last of their usual Roman numerical naming order, released in 2009. Normally the last songs on Billy Talent albums are worth the wait, and the same applied to “Definition” too. It is quite similar to “Burn the Evidence” in that the instrumentation during the verses mirrors the reflective and observational lyrics, staying at a steady beat and keeping a cool rhythm with guitar arpeggios, before turning the levels up and continuing into a stomping and chord heavy chorus which puts emphasis on the intense message of living life to the full your own way before ending up in the casket. Good way to end an album all in all.

I won’t say too much about listening to the album for the first time or how I felt waiting for its release; I’ll probably save that for “Devil on My Shoulder”. However, I will simply state my opinion which is that ‘III’ is not their best work. Some may agree, others may not. The album is okay, but not as good as their first two. The production is different (which is understandable as they used the same producer for the two before) but the tracks lack in something as a result. Less of a bite in guitar tone, perhaps. But most importantly…. there is barely any screaming. That was a disappointment on first listen.