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My iPod #144: The Tallest Man on Earth – Burden of Tomorrow

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There’s something about an album in which the songs have a musician playing their acoustic guitar with no other instruments. It’s very bare, vulnerable, naked, and yet so beautiful. It’s lovely to take a break from a continuing barrage of instruments and relax, turn off your mind and float downstream.

“Burden of Tomorrow” is the second track on “The Wild Hunt”, the second album by the Swedish folk artist The Tallest Man on Earth. This song was not the first I’d heard by him, but the track I originally listened to really stayed with me for some time that I had to hear the rest of the album.

I am not able to sing along to it. I do not know the lyrics. I just really admire the music, his voice and the chords he plays. I could only wish to produce something like this. It’s very uplifting.

Take some time out to listen. It was a very short post, I know. I’m sorry.

Jamie.

P.S. As my posts have only just become visible on my profile page, I’d like to say hello and check out my other posts too.

My iPod #126: Green Day – Boulevard of Broken Dreams

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Can you believe it? It has been almost ten years since “American Idiot” was released.

It seems like a few days ago I got the album as a present for my tenth birthday, listened to the story of the son of rage and love and never looked back as Green Day started to become one of my favourite artists ever.

Those of you who have the album should definitely understand what I mean when I mention ‘the son of rage and love’. To those of you who don’t, I can try and explain it to you but it would be better if you listened to “American Idiot” yourselves.

The album itself has a concept. To put it very short the story of a boy named Jimmy, who leaves his hometown to look for better things, but realises the things out there aren’t so great and returns home. That is very basic, but you can search it up.

“Boulevard of Broken Dreams” comes in after Jimmy gets a real adrenaline rush of being away from home and wakes up the next morning to find that everything around him is morose and bleak. He is alone. He walks alone too. He walks alone, he walks alone.

How did “BoBD” become so important to me that it’s had a place on my portable device? I don’t know. I remember liking “Holiday” a lot more. I think it was the time that I realised that the video for “Broken Dreams” is set straight after the “Holiday” video, just like the two songs are on the album. The music videos for the song were shot in the same studio too. That was quite cool to know.

“Dreams” is a proper Green Day anthem. If you are to go to one of their shows, you better be prepared to know all the words to this. You don’t want to be the one mumbling the words and then singing “I walk alone, I walk alone”. That’s not the title of the song. There are other lyrics, people.

Personally, my favourite part of the song is the last minute when Billie Joe sings the last words and the band just rocks out, because the chord progression and the notes are so awesome. It sounds like it comes from out of nowhere.

Until tomorrow.

Jamie.

My iPod #119: They Might Be Giants – Boat of Car

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Probably not the most popular TMBG song, but it just has something that attracts me to it. I honestly can’t say much about it – it’s only 1 minute and a few seconds long. That’s not a bad thing, but it’s more of a transitional thing that sets you up for the next track.

It’s very easy to memorise, the Johnny Cash sample fits in very well (however oddly placed it may sound). It sends off a very mysterious vibe. What is the ‘boat of car’? Why is the narrator following the ‘traces of the fingernails’?

Who am I kidding, it’s nothing to get philosophical about. It probably doesn’t mean anything at all.

Vocals are done by John Flansburgh’s old girlfriend by the way.

Until tomorrow.

Jamie.

My iPod #88: The Beatles – Being for the Benefit of Mr. Kite!

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John Lennon bought a poster one day in 1967, from an antiques shop whilst filming the video for “Strawberry Fields Forever” with the other three guys. This is a picture of the poster. This is a picture of John standing next to the poster which is the real deal and not edited by Photoshop at all. It actually isn’t.

To put it simply, everything in the song is from the poster. The horse’s name wasn’t Henry though. It was actually “Zanthus”. I don’t think “Zanthus the horse dances the waltz” would have been as good of a lyric though. Mind you, if they had used that lyric it wouldn’t have been banned on the BBC for supposed “drug references”. Silly BBC.

If you own the vinyl version of “Sgt. Pepper’s Lonely Hearts Club Band”, this song closes the first side of the album. To emphasise the circus theme of the song, their renowned producer George Martin asked the engineer to chop up recordings of various faiground organs and calliope music, throw them in the air and reassemble them at random. These are the noises used for the instrumental break, and also during the outro of the song. It took five days for the band to make this, and is regarded to be one of the more complex songs on the album.

It’s used in this epic mix on the LOVE album from 2006 too.

Until tomorrow.

Jamie.

Kings of Leon – “Supersoaker”

Alright! So Kings of Leon are back, and this is their new single “Supersoaker”. There’s the audio-video right up there.

It premiered yesterday on Zane Lowe’s radio show on BBC Radio 1. I missed the first time it played.

But then it played again later….. and I was quite pleased! Only a few posts ago was I talking about how I didn’t like the new sound that they were going for now and how I was dissappointed that they had sold out or whatever. But this song is like a mix of that sound and their “Aha Shake Heartbreak” material. Reminds me of “Taper Jean Girl” in particular. This is what I wanted. They’ve gone back to where they once belonged. You can hear their roots in the song. The only recent song I can think of when they have done this is “Back Down South”, and that’s not even a bad song. I find myself singing that from time to time. Stick to your roots, KOL.

It’s a thumping four-on-the-floor western rocker with Caleb’s crooning vocals over the relentless guitars and jumpy bassline in the verses and everything. Yeah… I can dig this. This is a good first single.

Their new album “Mechanical Bull” is released in September.

Bye!

My iPod #85: The Futureheads – The Beginning of the Twist

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Hi everyone.

I’m feeling good today. After about seven years, I have finally got around to taking my acoustic guitar to get fixed. I only need a new high e string, but it’s taken so long. I never thought this day would come. I listened to ‘Blow Away’ by George Harrison – one of the happiest songs that I only listened to last Friday or so, on repeat on the way to the shop and back.The weather is incredibly sunny and very hot. It’s a good time to be alive.

“This Is Not the World” is The Futureheads’ third album released in 2008. They also hadn’t released an album for quite a while. “The Beginning of the Twist” was the first single, and brought back that hard-hitting, punchy feeling that’s present throughout most of their songs.

It was also the first time the band had released material on their independent label Nul Records, after leaving 679 Recordings for undisclosed reasons. It is the first song on the album, but in its own way it is announcement of their change and a message that things will not be the same. I don’t think it’s in any way autobiographical, I just thought of that. It’s all up to interpretation.

Until tomorrow.

Jamie.