I like “Terror Twilight”. I like it a lot. It’s my favourite Pavement album – I don’t care what you think. The whole album has this airy, breezy production to it which acts as a great hangover cure, and generally the songs on there aren’t too shabby.
The album includes “Folk Jam”, a steady number where the band play over a groove that is established from the first hit of the crash cymbal. The track has a bit of a country/folky vibe to it, probably because of the appearance of a banjo that is played by one of the members. Stephen Malkmus also mentions the manner of his birth, bemoans his ancestry and states a fear of Irish folk tales. So you can probably tell that the song won’t necessarily mean anything just by looking at that. But at least Malkmus doesn’t lie, this is a tune about his folks and another type of folk that scares him. Pretty clever, didn’t really think about that until now.
There’s not much of a chorus or a change in dynamics; it may come off as a bit repetitive for a new listener. However, it doesn’t have ‘jam’ in the song’s title for no reason. But I’m just saying, if you get bored listening to the track (which you shouldn’t)…. what you see is what you get.
After the opening track “Silence Kit” from Pavement’s second album “Crooked Rain, Crooked Rain” is “Elevate Me Later”, a song which I believe is Stephen Malkmus’ critique of celebrity lifestyles and other things that are considered to be of higher statuses. He clearly doesn’t give a shit about those, and the song title shows that he’d rather pass on being associated with them.
It took me a while to get into it. Didn’t think it was that great of a track. But the ascending guitar riff got stuck in my head one time and I just wanted to listen to it repetitively.
The song itself is very laid-back and easy to listen to. There isn’t a lot to it except two verses, both of which are sung with a very simple but enjoyable melody and a part where the band execute this faux big rock ending where they ploughing in as much noise as they can from their instrument, with Malkmus yelling something which is buried deep in the mix….. only to begin playing the guitar riff again until the song actually ends and the album continues with “Stop Breathin'”.
It sounds simple. That’s not a bad thing. Simplicity is all you need sometimes.
Today’s song is by Pavement, and taken from the band’s fourth album “Brighten the Corners” released in 1997.
Unlike the majority I have on my iPod just because Stephen Malkmus basically wrote almost everything else, this Pavement track was written by the other guitarist in the band Scott (Spiral Stairs) Kannberg. He wrote quite a few for the group, getting two songs at the most on each of their albums bar “Terror Twilight”.
What can you expect from this Kannberg composition? He’s not that great of a singer (worse than Malkmus; he’s not so good either) and the chord progression is quite basic. In fact it’s the same one as that used in “Kennel District”, but in a different key and everything. But it is a really enjoyable tune.
The title is a bit abstract; there is no mention of it in the lyrics. I never really think what it is about. I just sing along, and enjoy the music.
Ah…. the first Pavement song I ever heard. It all started from this.
I was ten years old, probably getting to eleven, and I was downstairs nice and early whilst everyone else stayed in their beds to watch the music videos on MTV2. “Cut Your Hair” came on, played for the its three minute duration, and then was gone. But it got stuck in my head. The “ooh ooh ooh” chorus, the easy-to-remember ‘riff’ (don’t know whether it’s a riff or not)….. I am certain that that was the only time I saw the video on that channel before it got revamped, renamed and whatever else the company did to totally remove its credibility.
The music video is really simple and not at all serious. The band come into a barbershop, weird things happen when each member sits in the chair resulting in no one getting their hair cut and they leave when the song finishes. Does it have anything to do with the song? Not really. It’s more of an obscure “Hey we’re Pavement” type thing, seeing as this was the band’s first proper music video to go with a song that did quite well commercially. Although, it did leave me wondering who played what instrument and who the person singing was.
Anyway, “Cut Your Hair” is a song about people in the music industry caring more about their appearances than they do about the actual music. It is sarcastic in tone, something supported by Malkmus’ trademark loose and “off-key” vocal.
I liked it so much I put the video on my Piczo site; every kid who was in Year Six (2005/06) will know what I’m talking about. Too bad that company died, and my site is gone now.
I am going to say something that will irk a lot of Pavement fans. But “Terror Twilight” is my favourite Pavement album. I said it, what.
The record gets a lot of scepticism by the majority of Pavement fans for many reasons. Reasons that I would try to list here, but would end up typing them very vaguely so you probably won’t understand. Basically this is the band’s last album, made at a time when relationships within the band were deteriorating. I think a lot of people sense that from the album’s sound. Stephen Malkmus’ vocals sound quite lacklustre and lack conviction, there wasn’t an “Unfair” or a “Two States” type song on there. In fact the writer of the latter, Scott Kannberg the guitarist and other songwriter in the band, didn’t get one song on this album. He had at least one song on the previous four albums. Thing’s weren’t looking good. Would Pavement split up? Their split later in 1999 answered that question.
Despite all that, I simply adore this album. It has such an airy, dream-like atmosphere about it. No doubt that is due to the production of one Nigel Godrich, who you may or may not know as the producer of most of Radiohead’s albums. Nothing sounds rough; all the songs are very soothing and pleasing to the ear. Yes Malkmus wrote all the songs, the songs sound too polished, Malkmus sounds bored but you know…. GET OUT OF HERE. I DON’T CARE. “Terror Twilight” forever.
That’s my album review. Now for the song.
So, “Cream of Gold” is the fourth song on “Terror Twilight”. It did take a while for me to eventually like this song enough to put it on my iPod. I didn’t just put it on there because “You Are the Light” segues into it when you listen to the album. I did grow to appreciate the song for its coolness.
I have no clue what the song is about. The lyrics are very abstract. Even the song title is just a longer way of saying “Beige”, which I only figured out a few weeks ago. I think it’s about some sort of bad relationship of a couple, and the narrator knew from the start but he still suffers through it.
Musically, it’s very gloomy. It rocks, don’t get me wrong. This isn’t some emo, goth type song or whatever. The songs starts to play when you’re outside, it’s really dark and you beginning to worry about your own safety. That happened to me some time ago when I was walking back to my house….. But the track just suits that type of atmosphere. It has quite a threatening tone to it.
The guitar tuning is not the ‘standard’, which Pavement were known to do for many songs from their albums. After two verses, two choruses and a few repeats of the last line of the chorus, Malkmus busts out a solo and repeats a phrase about six times before the track falls apart with some feedback. Not in a bad way to end. Good stuff.
The Music in My Ears 