Tag Archives: pavement

My iPod #530: Pavement – Hit the Plane Down

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“Hit the Plane Down” is the track that doesn’t get much attention from a lot of listeners. The penultimate offering on Pavement’s second album Crooked Rain, Crooked Rain does suffer from being the odd one out amongst the other eleven that accompany it. Being the only one on there written by the band’s second guitarist Scott Kannberg AKA Spiral Stairs, it doesn’t have the same quality in terms of lyrics and musicality compared to the songs of Stephen Malkmus. However, its stomping drum pattern and messy guitars make it the heaviest-sounding song on the album, and makes for a good change from the slacker melodies that come before it.

Starting off with an emphatic drum roll from Steve West, the song proceeds to be led by a dissonant bassline made up of two notes while guitars blare out distorted chords and notes to create a disorderly mesh of noise. Kannberg sings through a filter to make him sound like his microphone isn’t working properly, and the track overall switches between the few verses and choruses it has before abruptly switching to a low quality recording of the band working on the track to bring it all to a close.

It is a mess. It doesn’t really go anywhere. But it is strangely entrancing to listen to.

My iPod #476: Pavement – Grounded

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“Grounded” is a Pavement song that can be found on the band’s third album Wowee Zowee, released in 1995. The album is loved many a fan of the band due to its complete randomness ranging from structured, melodic and accessible tracks such as this one to the bizarre, humourous, on the spot takes like “Brinx Job” for example. There are many reasons why it’s considered to be the band’s “White Album”.

“Grounded” is track five on Wowee Zowee after the silliness in “Brinx Job”, and after a slow count-in by Stephen Malkmus comes a beautiful twinkling guitar riff that makes use of only three notes but combined with Mark Ibold’s simple descending bass line (which interestingly doesn’t change one bit during the whole song) and Steve West’s drums makes for the most comforting and mellow musical moments on the whole album.

One thing that Stephen Malkmus tends to do is sing the same melody as a guitar pattern that repeats during a section of a song. Listen to “Unfair” or “Rattled by the Rush“. Well, there’s another instance of this occasion. This time during the verses where he sings in unison with the Drop-D tuned guitar. These then increase in intensity climaxing in the track’s climactic instrumental refrain, which slowly climbs up and up before falling face-first with an emphatic crash. These are all repeated once more, and the opening riff arrives again – this time faster and accompanied by the rest of the band – to close the song out for the last minute.

Love this song. One of their best. And one about doctors too if that does anything for you. An underrated indie anthem.

My iPod #453: Pavement – Gold Soundz

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“Gold Soundz” may just be Pavement’s poppiest moment ever to be recorded and released. Found in the middle of the great Crooked Rain, Crooked Rain, it is positioned after the wild rocking of “Unfair” and precedes the jazzy and experimental “5-4=Unity” but finds the perfect middle ground to provide one of the band’s most lighter, softer and easy listening tracks in their wide catalogue of astounding music. I am a Pavement fan, so I might have a bit of a bias opinion on this stuff.

In terms of the mix, the track is very treble heavy. The bass guitar and drum pedal are present are audible but are pushed back putting the focus on the guitars and various cymbals with Stephen Malkmus’ voice right in the middle of it all. Malkmus sings continuously, his lyrics roll right off the tongue from the first verse and straight into the chorus without any sign of effort, though they may not mean anything in particular they still manage to make a lot of sense in a way coming off quite confusing but beautiful in the process.

Took me a while to get into “Gold Soundz” though. Not really sure why. But I can’t help but feel happy when I hear it from time to time.

My iPod #379: Pavement – Folk Jam

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I like “Terror Twilight”. I like it a lot. It’s my favourite Pavement album – I don’t care what you think. The whole album has this airy, breezy production to it which acts as a great hangover cure, and generally the songs on there aren’t too shabby.

The album includes “Folk Jam”, a steady number where the band play over a groove that is established from the first hit of the crash cymbal. The track has a bit of a country/folky vibe to it, probably because of the appearance of a banjo that is played by one of the members. Stephen Malkmus also mentions the manner of his birth, bemoans his ancestry and states a fear of Irish folk tales. So you can probably tell that the song won’t necessarily mean anything just by looking at that. But at least Malkmus doesn’t lie, this is a tune about his folks and another type of folk that scares him. Pretty clever, didn’t really think about that until now.

There’s not much of a chorus or a change in dynamics; it may come off as a bit repetitive for a new listener. However, it doesn’t have ‘jam’ in the song’s title for no reason. But I’m just saying, if you get bored listening to the track (which you shouldn’t)…. what you see is what you get.

My iPod #319: Pavement – Elevate Me Later

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After the opening track “Silence Kit” from Pavement’s second album “Crooked Rain, Crooked Rain” is “Elevate Me Later”, a song which I believe is Stephen Malkmus’ critique of celebrity lifestyles and other things that are considered to be of higher statuses. He clearly doesn’t give a shit about those, and the song title shows that he’d rather pass on being associated with them.

It took me a while to get into it. Didn’t think it was that great of a track. But the ascending guitar riff got stuck in my head one time and I just wanted to listen to it repetitively.

The song itself is very laid-back and easy to listen to.  There isn’t a lot to it except two verses, both of which are sung with a very simple but enjoyable melody and a part where the band execute this faux big rock ending where they ploughing in as much noise as they can from their instrument, with Malkmus yelling something which is buried deep in the mix….. only to begin playing the guitar riff again until the song actually ends and the album continues with “Stop Breathin'”.

It sounds simple. That’s not a bad thing. Simplicity is all you need sometimes.