Tag Archives: play

#1168: Pink Floyd – See Emily Play

Sometime in the autumn of 2010, I decided to listen to Pink Floyd’s Wish You Were Here album for the first time. I’d always seen/heard good things about it up to that point, and after being familiar with The Dark Side of the Moon and The Wall by then, it only made sense to check it out. It came to the album’s final track, and while simultaneously reading the Wiki article about it, there was a mention of how keyboardist Rick Wright performs a short musical nod to the band’s earlier song ‘See Emily Play’, as a tribute to Syd Barrett, right at the end as it fades to silence. So then it only made additional sense that I went to find that song and figure which part the article was talking about.

And that’s how I came to know the subject of today’s post. It was a roundabout way of making my point, but I got there in the end. And the melodic phrase Wright borrowed for the tribute was right there in the melody of ‘Emily”s first line. Released in the sweet summer of ’67, ‘See Emily Play’ was only the band’s second ever single. It became something of a hit for the group and they appeared on Top of the Pops to promote it, both of which Barrett was vehemently against. But I enjoy it, at least. Definitely a highlight from the Syd Barrett-era of Pink Floyd. I do think after the initial hearing I may have thought it was a little strange. It could only ever have been released in the ’60s, especially 1967. But the more listens I gave it, the more used to the whole thing I became, as one would usually do.

This track by Barrett sees him write about another thing that he seems to find rather odd and yet strangely fascinating. He did it with a scarecrow, a gnome, a bike. I’m sure there are others. ‘See Emily Play’ is supposedly written about a real person though, a girl Barrett saw while sleeping in the woods under the influence of a ‘psychedelic drug’. It’s not really clear in the lyric whether Barrett actually knows this lady or not, so as far as I know, he was just so captivated by her presence – the drugs may have reinforced this feeling – that he went ahead and wrote a song about this stranger. The minor-key verses hint at the sadness she may be feeling at times. Something to ponder until those jubilant choruses come in which end with a joyful calling of the song’s title, which also closes out the song overall. It’s always a fun listen when this one comes on.

#1049: Super Furry Animals – Play It Cool

Here’s another one by Welsh band Super Furry Animals and yet another one from their sophomore album Radiator, released back in 1997. I only wrote about the second track on that record the other day, so you can get a bit of background on my experience with it. Unlike ‘The Placid Casual’, I don’t recall ‘Play It Cool’ having much of an effect on me during that first listen through Radiator. I had a mission of listening through SFA’s whole discography in 2014 which had to come to a halt because of second year studies at university. I eventually got round to doing so in 2018 during work hours in my first job after those studies finished. It was a very lax workplace, so I could get away with listening to albums on Spotify for nearly the whole day. It’s all a bit hazy, but I want to say it was around then that ‘Play It Cool’ clicked and went on to become one of my favourite Furry songs.

Essentially the track is made up of little riffs, hooks and catchy scales, all delivered with an earwormy melody that when assembled altogether create such a fun three-minute pop-rock sensation. I mean, that’s essentially what all songs are. But in this case, ‘Play It Cool’ begins with its three-chord riff followed by that sweet ascending keyboard riff which arrives after the opening drum roll. The vocals announce themselves into the mix with a “Buh-bah-buh-baah-baah”, falling to harmonies on the last wordless syllable while an electric guitar plays a downward-scale string bending riff that cascades into Gruff Rhys lead vocal, which also mirrors the initial acoustic guitar riff at the very beginning. All done within the first 19 seconds. It’s a very inviting and warming way to start things off, just sounds nice to the ears in general. Quality and melody abound. All of which carries on for the next three minutes.

Someone please write in and tell me I’m wrong, I’m not the biggest SFA follower and don’t want to make any rash statements on how they would write their songs – but I think this track – a bit like my thoughts on ‘The Placid Casual’, really – was a result of the music and arrangements coming first, with the lyrics being written afterward to fit. And not that the lyrics are bad or are rushed. They truly aren’t. It’s just that the lyrics, particularly in the verses, don’t link to each in other in any type of cohesive narrative, nor do they tell a sort of story from one verse to the next. They are incredibly pleasant to sing along to though. Really, the main message comes in the choruses where Rhys tells the listener that whatever you want to do, do it now and reap the consequences later. And also to be cool instead of acting like a fool. Which to me, is pretty sound advice. I also have a preference to the original mix of the track that was released on the album (below) rather than the remix that was released as the single and used in the music video (above). The former pushes Rhys’s vocals into the back, while the single version does the opposite and adds a few new elements here and there. Which one floats your boat?

My iPod #428: Maxïmo Park – Girls Who Play Guitars

“Girls Who Play Guitars” is the opening song on “Our Earthly Pleasures“, Maxïmo Park’s second album, released in 2007. Despite its title, the track does not specifically mention female guitarists at any point. It is actually about a relationship of a man and a lady who are very good friends; the former wants something more, but the latter prefers to go out, get drunk and the ‘friends with benefits’ business.

I’ve always enjoyed this song. Like many of the songs I’ve written about before (and the many that are to come) it’s one of those where its music video was played continuously on MTV2 that I could never really forget the melody. But just like all the other Maxïmo Park singles, this didn’t let me down either. Overall it is a very exciting track to listen to.

My iPod #202: The Offspring – Come Out and Play

I was born a year after “Smash”, The Offspring’s breakthrough album came out. I first heard “Come Out and Play” when its video played on MTV2.

One main thing went through my head whilst watching it. That was why Dexter Holland thought that having dreadlocks was a good look. All the time I saw an Offspring video, he had spiked up hair and to see the previous hairstyle he had before was a bit strange.

Apart from that the song was much different to any Offspring song I had heard before. I was a big fan of songs like “Pretty Fly”, “Hit That” and “Original Prankster” to name a few, and they were all songs with quite comedic and sarcastic subject matter.

“Come Out and Play” is more menacing in tone, but is made cooler by the Arabian-sounding guitar that plays during the instrumental break. The song is simply about gang culture, I can’t say anymore on that. It is a song of a very serious matter, no matter how engaging the song’s title is.