Tag Archives: say

#1240: Oasis – Some Might Say

Who out there’s one of the lucky people going to the Oasis reunion gigs in the summer? If you are and reading this, I hope you have a good time. I could say I was jealous, but I feel all right knowing that the Gallagher brothers are way past their ’20s and probably won’t be as great live as they were 30 years ago. But it’s nice knowing that Noel and Liam seem to be getting along now, or so it seems. I guess everyone will have to wait and see until that big tour starts in July. It’ll be a spectacle, I’m sure. I like a bunch of Oasis songs. Most of them happen to be singles. I got the Stop the Clocks compilation a long time ago, which is an ideal package if you want to start getting into the band. For any artist, the singles are picked ’cause they’re considered to be the best songs. But that’s something that truly applies to Oasis. ‘Some Might Say’ was the first single from (What’s the Story) Morning Glory?, released in April 1995 – six months in advance of the album. Oasis were already a name in the UK ’cause of Definitely Maybe, and people liked ‘Some Might Say’ so much that it shot straight to number 1 in the charts after its first week.

It’s up there as one of my favourite Oasis songs too. Just like its music video shows, the chugging guitar introduction feels like a rocket ship launching and when the band enters you’re just taken into the stratosphere and never come down from that point on. The song sees Noel Gallagher on some kind of quasi-philosophical line of thinking. “Some might say they don’t believe in heaven/Go and tell it to the man who lives in hell.” “Some might say that we should never ponder on our thoughts today ’cause they hold sway over time.” Some good, good lines. The main line to focus on is the one that precedes the chorus, “Some might say we will find a brighter day.” We all hope for that, don’t we? And then there’s lines about standing at a station in need of education and sinks full of fishes and dirty dishes. The chorus is a bunch of nonsense, but alongside the music, it sounds out of this world.

And like the songs that were listed on Definitely Maybe, ‘Some Might Say’ is designed to be played loud. Guitars levels are boosted to the max, tracks and tracks of overdubs are existing on there. Noel Gallagher’s said before that he doesn’t like the sound of …Morning Glory, but at least to me, this song is where the way it’s loudly mixed works massively to its advantage. Liam Gallagher sings the track very, very well, and I thoroughly enjoy the back and forth between he and Noel during the song’s final moments amidst the feedback and uplifting chord progression. Those guitars that go on and on for the gradual fade-out outro, I could listen to for at least two more minutes, and the story goes that the band kept on playing that outro for a long while after the album’s fade because they were enjoying it so much and didn’t want to stop. I read that somewhere, I’m sure. Or watched Noel say that in a video, I wish I could find it. He does consider it to be one of the band’s finest moments, I have the evidence for that. And as a listener, I wouldn’t argue.

#1159: Paul McCartney & Michael Jackson – Say Say Say

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Where to start with this one? I don’t think I have a very deep story to tell with this one, as to how I came across it for the first time. I want to say I have a memory of hearing it on the radio a long, long time ago when I was a child. But even then I’m not so sure. Though if I’m going with this story, I wouldn’t have known who was singing, nor would I have even been aware that there were two different singers on there. I’m sure the kid me thought it was really good. To be very honest, I think I actually became aware of ‘Say Say Say’ through a sample of it that was used in this house track from 2006. It’s very generic. But then through becoming a fan of The Beatles and probably seeing its music video on TV too, it was an instance of “Oh, that’s what that song was sampling.” And it sounded much better in comparison.

Paul McCartney and Michael Jackson decided to get together during the spring of 1981. Story goes Jackson called McCartney up, the latter thought it was a prank. When it was clear it wasn’t, the two came to an agreement to “make some hits” and Jackson stayed round Paul and Linda McCartney’s place during the recording sessions. It may have also been during this time that McCartney advised Jackson to get into song publishing, but that’s another story altogether. The sessions with Jackson and McCartney went swimmingly, with a couple tracks making it out alive as a result. One being ‘The Man’, and ‘Say Say Say’. Between the two, it’s clear which one was always going to be that hit that the two envisioned.

Completed in 1981, it wouldn’t be until a couple years later that the track would see the light of day, when it was released as the first single from McCartney’s Pipes of Peace album. And it got the works. Thriller was probably still in the charts somewhere when ‘Say Say Say”s release came around, and with Jackson being the biggest star on the planet and McCartney still being a former Beatle and all, the song had to also get the big music video (above) to highlight the camaraderie between the two. Also nice to see Linda McCartney in there too. As for the song, well, it’s about a man (whose perspective is sung by the two artists) left hung out to dry by a woman of his affection. He just wants to know if she feels the same way. She’s got to say, say, say, is what it comes down to. McCartney and Jackson are brilliant on the vocals, trading off, harmonising, makes for an engaging listen. Possesses a very tight groove. It’s a dang classic to me.

#1158: The Pigeon Detectives – Say It Like You Mean It

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Well, the last Pigeon Detectives song I wrote about on here was ‘Everybody Wants Me’, just over ten years ago. In that post I mentioned how I didn’t know whether the band were still together. It’s a sentiment I still have today. They are, according to Wikipedia, and even released an album last year. I’m not sure if anyone, apart from their fans, are wondering what the band are up to these days. But there was a time in those mid/late-2000s where they were sort of the talk of the town. The band’s 2007 debut album Wait for Me was a wildly popular one in the UK, and almost a year to the day of its release came the second album Emergency. It did just all right in comparison. But that’s where you’ll find ‘Everybody Wants Me’ and today’s song, ‘Say It Like You Mean It’.

I only really know this song because it was released as the third and final single from Emergency, and its music video got the obligatory play on MTV2 during the mornings or whatever. But that’s not to say I only came to like it through some sort of Stockholm syndrome situation. When it came to their singles, The Pigeon Detectives usually delivered the goods. Handy with a melody, bursting with energy. They were always fine ones to sing along to. It’s very much the same with ‘Say It Like You Mean It’. I read a comment the other day that said it was their most Strokes-ish song. I couldn’t believe that I hadn’t thought of it like that before, because it certainly is, particularly when it comes to the interplay between the rhythm guitar and the lead.

The subject matter isn’t one that I’ve ever heard thought to think to deeply about. The lyrics seem to consist of clichés and typical thoughts ‘n’ feelings that you would find in a song about your standard relationship. And if you like the first minute and 10 seconds of the song, then you’ll certainly like the rest that follows because the verses and refrains never change. But it’s done well. I could never say it’s a bad song. It’s just a shame that it’s the last one by the band that I properly cared about because, after Emergency, the whole UK indie scene kind of died out and everyone, including myself, just moved on to different things. They had us for a while, though. They were all right times.

#1157: Weezer – Say It Ain’t So

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According to my post for ‘Buddy Holly’ years and years back, I properly started getting into Weezer when I was about 10 years old. 29-year-old me can’t remember so well, so I’ll take 18-year-old me’s word. But it does sound about right. 2005 (the year I was 10) was around the time Make Believe was out, and although that’s considered to be one of the band’s worst albums, I think my interest in them stemmed from seeing this video for ‘We Are All on Drugs’ on MTV2 on the regular and other Weezer songs I’d catch on the TV by chance. ‘Buddy Holly’ became a favourite song of young self very quickly, and I think it was through trying to find its music video online that I then came across ‘Say It Ain’t So’, whose video was a lot less gimmicky in comparison but, to me, still impactful nonetheless.

It’s all coming back to me now, actually. I remember spending a lot of time repeating the video at certain points during the song. Not on YouTube (which was busy not being active), but some other vague music video site that probably doesn’t exist now. The “bubbli-hi-hi-hi-hiiing” was unexpected. As was the delivery in the “wrestle with Jiiiimmy”. The string bends in between the power chords during the second chorus. There were all these little quirks and changes within the song that were drawing my attention. And it was through watching the videos for this, ‘Buddy Holly’ and ‘Undone’, not necessarily in that order, that I thought that I had to get The Blue Album in my possession. All the singles were good, so it was a no brainer. Still I have my copy to this day since 2006.

‘Say It Ain’t So’ is rightly one of Weezer’s most popular songs. Probably one of the best alternative rock songs of the ’90s, to be fair. It’s weird though nowadays, ’cause Weezer’s a band that lot of people like to joke about or make memes out of, so you never know if people are really listening for the music or whether they want to be in on the joke. But there’s no joking about this song. It’s all straight from the heart. The track sees Cuomo battling a personal demon he faced when he was 16, when he saw a can of beer in the fridge and, from that, assumed his stepfather would be leaving the family because his biological father started drinking when he left his mother. Cuomo said he probably shouldn’t have written the song about trauma like that. But he did. And it’s very, very good.

#796: Kid Cudi ft. Kanye West & Common – Make Her Say

The Music in My Ears

A blog about music (and sometimes other things).