Tag Archives: she

#1188: The Flaming Lips – She Don’t Use Jelly

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The first time The Flaming Lips came into my consciousness was around the time that At War with the Mystics was their “new” album that was going to be released soon. Guess that places us in 2006. The video for ‘The Yeah Yeah Yeah Song’ was a regular in the mornings on MTV2. It was a strange video. It was a strange song. But I dug it. To the 11-year-old child I was, it scratched that weird internal itch that I think all young ones have at that age. Because there was this hype for The Flaming Lips going around, their older videos would be played on the channel too. Through this, it’s how I came to know songs like ‘Race for the Prize’, ‘Fight Test’, ‘Do You Realize??’, and today’s featured track ‘She Don’t Use Jelly’.

I was a younger, foolish kid back when I saw the video for ‘Jelly’ for the first time, and I think I cared more about appearances than the music. The first thought I had was how different Wayne Coyne looked compared to all the other videos I’d seen him in. In fact, the whole band looked completely unrecognizable. It appeared to be a much older music video than than the ones for the songs from Bulletin and Yoshimi, so obviously they were younger. They just also happened to look like completely different people. Plus, there appeared to be this other person in the band that by 2006 was not in there anymore. I had a lot of research to do. The track just seemed weird to me. The combination of the audio with the visuals, my little brain couldn’t handle it. I got over that bridge eventually.

The Flaming Lips could have easily been known as the band that did this one song. and then dipped, never to be heard from again. As we all know, they went on to do great things which I think we’re all very grateful for. But there are a lot of one-hit wonders who have worst tracks than this one. ‘She Don’t Use Jelly’ is about three kooky characters, two girls, one guy, all described in three respective verses, who use unusual objects for the completely wrong purposes. There’s choruses per se. Where the choruses would usually be are instead replaced by the crunching guitar riff and loopy slide guitar refrain, which also start the track off. And I like Coyne’s vocal in this too, all bare and untampered with. He’s not the strongest singer, but he gives it feeling, even if the lyrics aren’t meant to be taken all seriously.

#1187: The Beatles – She Came in Through the Bathroom Window

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Well, this track comes as a bit of a weird one to talk about. It’s The Beatles. ‘She Came in Through the Bathroom Window’ is from Abbey Road. Everyone likes that album. When I think about it, it’s not the one I return to when I want to hear a Beatles album in full. That would probably go to Revolver or Rubber Soul or something. But I won’t argue that it has some of the band’s best songs on there. ‘She Came in…’ is a part of the medley that makes up the majority of Abbey Road‘s second half, kinda closing out its first part, and was performed in one take alongside ‘Polythene Pam’ whose closing solo segues right into the introduction.

For the longest time I looked at the medley with a bit of a side-eye. Blasphemous to say, I know. This was the masterstroke that marked the ending of the Beatles’ recording career. But seeing as it was made up of tunes that John Lennon and Paul McCartney had in the can going back to 1968, the album was released in Autumn 1969, I used to see it as the guys sort of scraping the bottom of the barrel for material and shmushing them together. Although I appreciate it a lot more these days, I do usually have that feeling lurking in the back of my mind. As a result, I like some of the parts more than the whole. And I can’t say that I have a deep, deep connection with this particular tune other than I found myself singing it to myself whenever I was out shopping or in the shower. If I was singing it in those situations, that probably means I’ve liked it somewhere along the line.

‘She Came in…’ was inspired by a real-life incident where a fan broke into Paul McCartney’s London home, literally through the bathroom window while he was out. The parts about being ‘protected by a silver spoon’ and sucking her thumb ‘by the banks of her own lagoon’ I have no idea about. Only McCartney could tell you if he asked him. But being a grandmaster of melody that he is, he makes the whole two minutes the song goes on for sound rather good. I guess he just let his imagination run wild about this particular person, wondering what she does as a job and what her aspirations may be. It’s all a bit up in the air, this one, regarding the lyrics. But regarding the harmonies, the backing vocals, Harrison’s guitar licks, the sort of half-time tempo McCartney’s bass takes for the second verse. That’s all good, good stuff. One of my highlights out of the so-called ‘Long One’.