Tag Archives: show

#1133: Blink-182 – The Rock Show

I’ve never listened to Blink-182’s 2001 album Take Off Your Pants and Jacket in full. I don’t think I’m missing out on anything if I never did. But I may be being a bit too harsh. I’m sure it has its fans, but the album being sandwiched in between what are considered to be the band’s best works with Enema of the State in ’99 and the self-titled/untitled album arriving in 2003 has built up this preconceived idea in my head that the whole record probably wouldn’t be as good. ‘Happy Holidays, You Bastard’ is a regular at the Christmas parties I have with friends. I’m pretty indifferent to it. And I’ll be one to say that ‘Anthem’ is way better than ‘Anthem Part Two’. So we’re off to a good start.

‘The Rock Show’ is a song that can be found on the album, however, and is one that’s been around in my life for a long, long time. Maybe even since 2001. I have a memory of watching the video on TV, even before I was consciously looking for music of its type. It was probably on The Box or something. My sister laughed at the scene where Tom DeLonge and Mark Hoppus buy a box of doves from a store and free them from their captivity. It wasn’t until years later, after finding out who Blink-182 actually were and getting into their music, that they were the group who made that song about falling in love with the girl at the rock show. The track, mainly written by bassist Mark Hoppus but credited to the entire band, was released as Take Off’s… first single.

The track is a tale of young love. Very pop-punk oriented. A boy meets a girl on the Warped Tour, they’re both into each other, they tell their parents they going to move Las Vegas… and by the song’s bridge it seems that some time’s passed and the relationship has ended, but it doesn’t stop the narrator remembering those good times as he stares at her picture on the wall and waits for a phone call that never arrives. I never realised that there was a line that was a nod to Bon Jovi’s ‘Livin’ on a Prayer’, but it’s there, that’s quite neat, actually. It’s a tight performance by Hoppus, DeLonge and Travis Barker, energetic and very cathartic with those cymbal crashes on the “Fell in love/She said what/She’s so cool” moments in the choruses. The whole track just seems like a brief snapshot in time when things in America seemed to be carefree before another event in 2001 happened and messed everything up.

#593: Ween – I’m Dancing in the Show Tonight

Ween members Gene Ween and Dean Ween both agree that their 1997 album The Mollusk is the best project the band put to tape. I agree with them on most days; for me it is always a close race between it and Quebec. I do hold the The Mollusk in high regard for sentimental reasons too; it was the first full album by Ween that I ever listened to about five years ago.  At the time I felt that I was in a bit of a lull, listening to the same artists over and over, so I decided to look for an album that I hadn’t heard before. ‘Ocean Man’ had been in my iTunes library for some time too, I downloaded it after hearing it in the ending credits of the OG SpongeBob movie, so it only made sense to hear all the other songs around it.

‘I’m Dancing in the Show Tonight’ is the first track on The Mollusk. For a lot of reasons, it shouldn’t work. No band should get away with opening any album with a kitschy, vaudeville show tune. That’s what ‘I’m Dancing in the Show Tonight’ is. But it’s executed so well that it never gets annoying. For the sub-2 minutes it lasts for it builds and builds. Starting off with a piano and the vocals, it steadily progresses as percussion and horns are thrown in and by the end it’s a huge singalong with a fake but emphatic string section. It may confuse some first time listeners, but there’s no time to really think because then the title track suddenly starts like nothing never happened. It’s a brave move. I really enjoy it, I think it’s great.

The track is basically a rip of the Christmas song ‘Are My Ears on Straight?’, sung by Gayla Peevey in 1953, with a few lyrical differences. The band full out admit this on the album’s liner notes though they have yet to be punished for it. Not that I want them to, don’t be silly.