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#1287: Stephen Malkmus and the Jicks – Stick Figures in Love

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The tale of how I came to know Stephen Malkmus and the Jicks’ 2011 album Mirror Traffic is one that I think I told quite well and hopefully with some clarity, when I wrote about other song ‘Senator’ a few months back. Without trying to repeat myself, I’ll just say the record made those first few months of my fresher year in university that little more enjoyable whenever I was in those moments of solitude in my room in the student flat. Can’t say I took in the whole package, I think, even at 18, I was still adjusting to really focusing on albums and listening to them in one sitting. But songs like the aforementioned ‘Senator’, ‘Fall Away’, the first track ‘Tigers’ – which will get its due on here one day – and the seventh song, today’s feature, ‘Stick Figures in Love’ were instantaneous likes on my part, from what I can recall.

I go on Spotify and I see ‘Stick Figures…’ being the most popular song on there, at least at the time of writing this, with a little over 3.2 million plays. Just over two million more than the next one. It was released as a promotional single for the album in 2012, but it’s not like it hit the airwaves and played constantly. Didn’t make it into the charts. So I can only put the popularity down to the immediate appeal initiated by the opening guitar riff. Straight out of the gate, Malkmus lays down a lead guitar passage that soars and gallops – changing up the delivery as the basic rhythm underneath goes on for an extra measure or something. This riff comes back at regular intervals, sort of acting as an instrumental chorus of the track. Choruses are meant to be the most memorable parts of a song, right? From how I’ve come to know music, anyway. And that’s certainly the case for the guitar solo ‘Stick Figures in Love’ revolves around.

And then in between those, Malkmus sings some verses. ‘Cause you’ve got to have verses at some point. When I sing along and decipher what Malkmus is relaying to us, I come to find quickly that they seem to make a lot of concrete sense. Or at least there’s no sort of cohesive thread from line to line. I am a fan of the verses here, Malkmus delivers them all lightly and softly. He increases the intensity of his vocal for the third and final one, though. He corpses during the last line of the first verse, which I think is cool that was left in the final product. But I do get a feeling that those parts are meant to keep us listeners occupied before the thrilling guitar riff comes in again. All that being said, this one’s still a major highlight from Mirror Traffic. The title doesn’t appear in the lyrics. I’ve only recently thought of it as a way of saying “Skinny people in love.” I feel like there can be a comparison there. Malkmus isn’t the thickest of human beings, so maybe it’s a love song in his own way. That’s as far as I’m prepared to go in terms of interpretation.

#589: Foo Fighters – I’ll Stick Around

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Recovering from the emotional exhaustion caused by bandmate Kurt Cobain’s death in 1994, Dave Grohl decided to go into the studio and record some songs that he had written and kept on the down low whilst still performing with Nirvana. It took him about a week to do so in October of the same year, recording all the instrumental parts himself (bar one guitar track) and singing every word from the heart.

The debut album by Foo Fighters has always been my favourite of the band’s….. it’s the most raw and possibly impulsive that Dave Grohl has been in the entirety of the group’s active years. He’s admitted that a lot of the lyrics don’t make sense, and his vocals are double-tracked and lathered with effects in some places because he was insecure about his vocal abilities. But that all adds to its charm.

‘I’ll Stick Around’ was the second single released from the album but was the first Foo Fighters track to get the music video treatment (as can be seen above), allowing everyone to see the drummer from Nirvana’s new band. In it, he, Pat Smear (guitar), Nate Mendel (bass) and William Goldsmith (drums) are confronted by a massive 3D HIV virus. The track itself is meant to be a ferocious scathing attack on Cobain’s widow Courtney Love, who Grohl hadn’t felt the greatest of ‘love’ for up to that point. In fact the HIV virus in the video was initially conceived to be a ‘bloated, charred, inflated girl representing Courtney’ before management got in the way.

The track is a powerful one. From its pummeling opening drum roll, it hardly lets up. Even in the “calmer” verses, there’s a sinister tone to the surrounding guitar and menacing groove before it all builds up into the raucous refrains. I can barely make out what Grohl is singing in those verses, though the message of the track is really summed up in its two most clear lines: “I don’t owe you anything” and “I’ll stick around, and learn that all that came from it”. The latter arriving in the song’s cathartic last minute and repeated to oblivion before it comes to a dramatic close. It’s a great tune.