Tag Archives: the beatles

My iPod #465: The Beatles – Got to Get You into My Life

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“Got to Get You into My Life” is the jubilant, horn-heavy, Motown influenced ode to marijuana written by Paul McCartney, appearing as the penultimate track on the Revolver album. Why do I say it’s an ‘ode to marijuana’, you may be thinking. Well because that’s what it is. McCartney said it himself; the statement can be read in this authorised biography. Sorry to all those who’ve thought it was a typical song about yearning for love. But the real influence behind it makes the track all the more clever, slick and a bit humourous.

But when the first note plays and the blaring horns play the memorable introductory phrase it doesn’t matter what it’s about, you just know that the song is gonna be a good one. It doesn’t disappoint. Paul pulls off yet another stunningly smooth vocal take amongst the aforementioned brass instruments, leaping from the tamest of notes to the other end of the spectrum in a matter of milliseconds. It’s may be a bit worthy to note that Paul is the sole Beatle to sing on here with no harmonies from John and George, something that’s eventually mirrored by the former’s sole vocal presence on the next track. Still the two are make their presence known in the music, particularly George who from out of nowhere brings out a stellar lead guitar solo at the song’s climax, cueing the celebratory coda.

A brilliant track. It’s the last song on the album that you can get up and sing your heart out to before things get a bit philosophical and spaced out for “Tomorrow Never Knows”. Really dig it.

My iPod #459: The Beatles – Good Morning Good Morning

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“Good Morning Good Morning” tends to be the song from Sgt. Pepper that not even Beatles fans really appreciate a lot. Upon listening to the album for the first time in 2009 or so, I found the track to be one of the most likeable ones on there. I don’t want to say that it was simplicity that attracted me to it because the song has quite a complex structure to it, though it’s really the only track on there (apart from the title track’s reprise) which focuses on the four members and their guitars (sort of), bass and drums.

Inspired by a Kellogg’s Corn Flakes advert he saw on the television, John Lennon went on to write the song which can only be described as one of the observational kind in which he describes what he sees going on around him while he’s at work, in the town for a while after finishing the shift, at home for tea and when he’s at a show where he’s able to glance at the girls around him. So the subject matter is not as ‘deep’ on this song as for the majority of the others on Sgt. Pepper, but there musically there are plenty of things about it that hold it up as one of the best ones on there.

It changes its time signature many times. That’s something that still confuses me, and if I were to get all technical about it you would not be able to understand it either. Ringo and Paul own the rhythm section on here. The former playing on a drum kit utilising two bass drums which can be heard in full force during the final minute or so, and whilst playing a sliding bass line which maintains the song’s momentum, Paul showcases his guitar skills by shredding out a soaring guitar solo in the middle. Also, as the song begins to fade out and all the animal noises pan from ear to ear John, Paul, and George jokingly begin to sing in German. What more could you want.

So yeah, “Good Morning Good Morning” deserves more praise than from what I’ve witnessed. Just as important and infectiously catchy.

My iPod #456: The Beatles – Good Day Sunshine

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Opening up the second side of The Beatles’ 1966 album Revolver is “Good Day Sunshine”, a bouncy Paul McCartney number about the happiness one seems to feel with everything (including the weather) whilst being in love. After the somewhat lyrical subject matter in “She Said, She Said”, the track comes to alleviate the mood and start the second half with positive vibes.

Set to a swinging rhythm established by the vibrant piano work and grounded drums, “Good Day Sunshine” is the song to go to on those days where you feel nothing could go wrong and everything’s going your way. The vocal work ain’t too bad. McCartney takes sole lead vocal during the verses, but it’s in the choruses where he is joined by George and John on the harmonies to produce to a simple, repetitive, but memorably catchy melody – one that also gets a sudden key change treatment right at the end of the song.

Only just over two minutes, “Good Day Sunshine” is of the happiest tracks you’ll hear today. I once made it the alarm song on my phone if that’s of any use to you. Made for a good way to start the day.

My iPod #432: The Beatles – Glass Onion

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My introduction to “Glass Onion” wasn’t via listening to The Beatles self-titled album (or The White Album) from 1968, but through The Beatles’ official mash-up album “LOVE“. Mind you the version on that album only contains John Lennon singing “Oh yeah”, “Nothing is real”, and the last verse before the creepy string outro mixed with a lot of elements from other Beatles songs. But I still thought it was alright. It made me want to listen to the whole track. So I did.

“Glass Onion” is a track written by John Lennon in which he makes several references to other Beatles songs in order to freak out the conspiracists and general strange people who thought there was more to The Beatles than the four members were actually letting on. The song references range from “There’s a Place” from their 1963 debut to “https://www.youtube.com/embed/v2i1WhHXyBY“>The Fool on the Hill” from 1967’s “Magical Mystery Tour” – the latter getting its own musical nod when Paul plays the recorder near the end of the song. Ringo Starr actually plays on this track too; he does not appear on “Back in the U.S.S.R.” or “Dear Prudence” has he had temporarily left the band when times were rough. So whether the track starting off with the jarring drum fill was meant to signal his entrance or just a coincidence is up for questioning. The vocals and rhythm section come to an abrupt end and give way to the aforementioned scaling strings section that brings the song to an ominous end, fading out (and sounds like it begins to slow down weirdly in the last few seconds) before the clanging pianos of “Ob-La-Di, Ob-La-Da” begin.

And so there you have it. Probably the most meta track The Beatles ever made. And one of their most darker sounding ones too.

My iPod #424: The Beatles – Girl

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“Girl” is the ninth track on the album Rubber Soul, the second album The Beatles released in 1965 and their sixth album overall. Written primarily by John Lennon, the track concerns a relationship where the narrator is strung along by a cold-hearted lady who wears the trousers in their relationship, putting him down at any given opportunity. Though the narrator knows she is bad news he just can’t stay away, and carries on living through the torment.

This song is smooth and very calming to listen to despite the seemingly desperate subject matter. Acoustic guitars dominate the mix, or the left speaker if you’re listening to it in stereo. “Girl” also has a bit of a swing vibe about it too and makes use of the group’s spot-on vocal harmonies. The backing vocals even sing the word ‘tit’ repeatedly at various points, they’re very subtle but once you hear them you can’t forget.

I think the first time I ever heard the track was when I watched its ‘dreamscape’ (the video above) from the Rock Band game on YouTube. We all need to thank Harmonix for the work they put into that, even if they didn’t release all the albums as DLC.