Tag Archives: the great escape

#1286: Blur – Stereotypes

1 Reply

Up until The Great Escape in 1995, it was the trend that whatever the first song on a Blur album was had already been released as the first single in advance. ‘She’s So High’ for Leisure, ‘For Tomorrow’ on Modern Life Is Rubbish, and ‘Girls & Boys’ on Parklife. ‘Stereotypes’, although being the opener on The Great Escape when that came around in the autumn of 1995, bucked that trend. It was the main contender to be the lead representative, but then ‘Country House’ – the second tune on the record – was chosen instead. We all know how that went down. Nah, instead, ‘Stereotypes’ was released as the album’s third single in February ’96. But for the crazy successful year 1994 to 1995 was for Blur, ‘Stereotypes’ is a pretty perfect way to open an album released amidst the madness, with its frantic synthesizers and stabbing guitar chords.

I came across the track myself pretty much the same way I got to know all the other Blur singles. Through seeing their music videos on the television. Although it wasn’t on MTV2. I distinctly remember seeing it on Q, if anyone remembers that channel. Blur videos were usually playing on the telly, and this was during a time when the band weren’t even together. ‘Stereotypes’ was one of those live performance montage music videos you usually get when a band’s on the road and don’t have time for those two-day video shoots. Nothing like their cooler, cinematic videos, but the song sounded very, very nice. When I was 11/12, I was mostly into the songs I saw on TV, and so compilations were my usual request for gifts for older bands whose videos were frequently played. Blur’s 2000 Best Of didn’t have ‘Stereotypes’ on there, unfortunately. I have the feeling I knew this before owning it. I still got the comp anyway. But I downloaded ‘Stereotypes’ on its own a while afterwards.

The song’s kinda strange in that it’s about the activities of swingers, “wife-swapping” as it’s explicitly referred to in the lyrics. Damon Albarn sings about a woman who gets a little frisky with another man while her husband is away, having their way with each other in different locations of the house and in full view of the neighbours. The ‘stereotypes’ that there must be more to life than are the usual doting wife and adoring husband that I guess you would usually find in a faithful marriage. Albarn tells us to live a little, bring in another couple and get a bit freaky to spice things up. Graham Coxon’s guitar playing is a highlight. It’s kinda buried in the mix, but when you pick it out, you can hear how it sounds like he’s attacking those strings. A very rough sound to those chords, you gotta love it. Some websites last the line of the song as ‘You should go on another bender/Before you come to offend her’, which is a little menacing to say the least. I think Albarn sings ‘before you come to an end, uhhhh’, meaning “before you die”. I like how the song slows in tempo while that line’s being sung too. ‘Stereotypes’ is a bit of a forgotten single. Doesn’t help that the band don’t look on The Great Escape with the highest of regards. It’ll be a long time before they play it live again, is what I’m saying. I don’t think it’s too bad.

#647: Blur – It Could Be You

Leave a reply

I may have said this before but just to reinforce it again, I prefer The Great Escape to Parklife. I realise that the latter is recognised as Blur’s first classic album, it was immense for British culture during the time it was released. The former is mostly seen as Parklife‘s weaker follow-up nowadays. It also doesn’t help that none of the bandmembers don’t look on The Great Escape very fondly either. When it comes down to it, I enjoy a lot more songs from that album than I do its predecessor.

‘It Could Be You’ is a track from The Great Escape, released in 1995, and was also released as single – only in Japan – the following year. It is predominantly inspired by The National Lottery, which had recently become a thing around the time the album came out, with its title taken from the initial slogan that was used to promote the whole ordeal. Damon Albarn sings about what he could do if he were to win it, or at least sings from the perspective of someone who wishes to, alongside various phrases and observations on British society that he was prone to during those times.

Like a lot of songs on Parklife, the track is rich in melodies and general catchiness, pepped up with enthusiastic ‘doo-doo/ooh-ooh’ vocals here and there and quite the keen vocal take from Albarn. Actually, a lot of the vocals here seem almost camp in a way…. like it could be a musical number or something. Though it does help that they’re backed up by a relatively strong performance from Graham Coxon’s guitars and the rhythm section of Alex James and Dave Rowntree. Check out the fuzz bass that comes in for a brief moment during the chorus. It took me a while to realise that was even there.

My iPod #434: Blur – Globe Alone

Leave a reply

“Globe Alone” is the twelfth track on Blur’s fourth album “The Great Escape” in 1995. I like that album; I think it’s okay. But there are plenty who wouldn’t put it at the top of their favourite Blur album list due to the ‘faux-grandiosity’ or ‘pomposity’ some sensed in the lyrics and music. Brass is used in a lot of tracks too. Though being recorded at the height of the band’s success during the Britpop ‘movement’ during the mid-90s may have had something to do with it. But it’s on “Globe Alone” where, apart from the presence of a synthesizer and an organ in some parts, the guitar, bass, and drums take full control of the song’s momentum.

The lyrics in this case detail the life of a person who is only interested in the latest trends and what he sees on television adverts which is all well and good, but the music they are set against makes the second-shortest song on the album one of the craziest ones on there to listen to. Graham Coxon provides a wild performance with a roaring delivery during the choruses with vigorous string bends and messy guitar lines, Damon Albarn yells out every lyric from the high chest with barely any breaks, Dave Rowntree pulls off some of his best drumming in the track with a constant thrashing of the high-hat and several quickfire drum rolls, and Alex James ties it all together with a smooth bassline.

Blur changed their style for a more guitar-oriented aesthetic on their next album in 1997, and it is “Globe Alone”, which tends to be overlooked by, that could be seen as the precursor of that evolution. One of the most enjoyable to listen to from “The Great Escape”.

My iPod #237: Blur – Dan Abnormal

Leave a reply

“Dan Abnormal” is a track from Blur’s fourth album “The Great Escape”.

I listened to the song way before actually listening to the rest of Blur’s discography. The band had performed in Hyde Park for the Summer 2012 Olympics closing ceremony, and decided to remaster all their albums for their 21st anniversary as a group. So I thought I would listen to “The Great Escape” out of all of them, even though it’s not Damon Albarn’s favourite nor is it the favourite of the majority of Blur fans.

Albarn once said that all the songs on the album are about him in one way or another. “Dan Abnormal” is probably the one that you could say is explicitly about him. Look at the title and then rearrange it. Does that mean it’s the centerpiece of the album? Naaaaaaaah.

Apart from obvious tracks (Country House, Charmless Man, The Universal, Stereotypes), Dan Abnormal was one that actually stayed in my head after listening to the album for the first time. Not really sure why. The chorus was quite memorable, a lot of “la-la-las” are involved and the overall melody wasn’t hard to forget.

It might not be very impressive for some, but I like it and that’s all that matters.

My iPod #212: Blur – Country House

2 Replies

“Country House” by Blur was the first single from the band’s fourth album “The Great Escape”. Released at the height of ‘Britpop’ in 1995, the single went head-to-head with Oasis’ song “Roll with It” for the number one spot. “Country House” won, and stayed number one for two weeks before Michael Jackson knocked it off.

The song is about a man who buys a house in the country (no….. really?) to get away from the city but still isn’t very happy with his life. You wouldn’t be able to tell though. It reminds me of one of those songs that, when you’re really drunk, you grab your mate and put your arm around their shoulder and start yelling the words along to it. Then the brass coda kicks in near the end and you start doing the can-can and stuff.

It never fails to cheer me up, even though it can become a bit grating if you were to repeat it over and over again. Just because of the over emphasised English accent and the cheery music. It just shouts out, “Hey! We’re soooo British, look at us!” and that could annoy some people.