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My iPod #247: Soundgarden – The Day I Tried to Live

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“The Day I Tried to Live” is a track, and also was a single, from Soundgarden’s album “Superunknown”, which celebrates its 20th anniversary this year. The band plan to reissue the whole album along with b-sides, outtakes and some cool t-shirts. You can pre-order the bundle here!

The song is another one of those which I heard for the first time when its video (above) appeared on MTV2. I liked it from that moment on. The descending bass riff at the beginning and its weird time signature (it changes from 7/4 to 4/4 throughout) was what caught my attention. The song also showed me how amazing Chris Cornell actually is as a vocalist. “Cochise”, “Black Hole Sun”, “Original Fire” – all those sung by him were some tracks that I’d seen on the TV before “The Day”, but they never exhibited the range the man possesses. At some point in “The Day”, Cornell’s sings in a low register before screaming like a banshee in a split second. All in what is probably one take too. It is incredible.

Apparently, people have taken this track to be something of a suicide kind of thing, but Cornell stated that it is simply about getting out of the house and doing normal things instead of being a recluse. It is meant to be optimistic. He said so here almost twenty years ago. I will continue to listen to it with that mindset.

My iPod #246: Guttermouth – A Day at the Office

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“A Day at the Office” is a song from Guttermouth’s third album “Teri Yakimoto”. I didn’t find the track by actually listening to “Teri”, but was listening to my own customised radio station on Launch. I always talk about this site… but I’m not sure if anyone knows what I’m talking about. It looked like this.

When the song came on, it was listed to be on the soundtrack for the film “Godmoney”, a movie that I’ve never bothered to watch after all these years and probably won’t in the near future. I also assume that the site didn’t have “Teri Yakimoto” in its database or something.

The phrase ‘a day at the office’ is defined as ‘an ordinary or typical event’ by thefreedictionary.com. The track details a kid who is electrocuted by the next door neighbour, a guy who falls off a roof while his family go on a trip and eventually the death of everybody when a power plant ‘blows’ unexpectedly and sends deadly toxins into the sky. These are not ordinary or typical events. But obviously that’s the joke.

What also adds to the humour is that the melody is really cheerful, so the lyrics don’t really affect you until you properly read them.

“Pleasant dreams and thanks for listening.”

My iPod #245: Yeah Yeah Yeahs – Date with the Night

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How’s everybody doin’.

I didn’t know Yeah Yeah Yeahs until 2006, the year the band’s second LP came out. It was that year that my sis started to like the one-woman-two-men group and borrowed “Fever to Tell”, the band’s first album released in 2003, from a friend.

“Date with the Night” was Fever’s first single. It is about getting ready for a night out, looking forward to what awaits and wishing to fulfil expectations.

This song is noise. It isn’t one you want to listen to if you need to relax. Guitars are screeching, drums are booming, lead singer Karen O moans and howls endlessly at various points of the track. Pretty hot stuff. Very hot actually.

I’ll stop there.

My iPod #241: Franz Ferdinand – The Dark of the Matinée

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“The Dark of the Matinée” was the second single from Franz Ferdinand’s debut album, released in February 2004.

According to Kapranos, or what I could make from him before he introduced this song at a festival, the track is about skiving off school and hiding away in the shadows of the matinée. Every music channel showed the song as simply “Matinée” which is (I’m guressing) what everybody generally calls it. Maybe even some Franz Ferdinand fans if they’re too occupied to say the full title. Either way it is the same song, but it is the darkness of the matinée which is being specified that is being established as the hiding place, and not just the building itself.

Whatever.

It is remarkable to think it has been ten years since I first heard this. This was one of my favourite songs at the time. I thought the video made the song even better. The ‘robotic’ choreography, Alex Kapranos’ fringe and the huge painting of Terry Wogan during the final verse. I had daydreams of being in a band and making a video like it. I wanted Looking at it now makes me want to that eight years old who would wake up early in the morning to watch MTV2, actually watch music videos and discover bands for the first time all over again.

It wasn’t as successful as “Take Me Out”, which I’ll get on to ages from now, but to me it certainly brings back some good memories.

My iPod #227: Billy Talent – Cut the Curtains

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I just completely messed up my dinner by leaving it on the cooker for too long. I am a bit depressed now. I had to throw it in the bin; there was no way it could be salvaged. I had the same thing to eat yesterday and it was so good…… 😦 ffs. I think that cooker is too OP, I didn’t even have it on a high flame…. I’ll just cook it tomorrow.

It almost the end of the C section on my iPod, and it is getting to the year anniversary of when I actually first started this thing. Expect the ‘D’ (hehe) next month sometime. Late Feb.

“Cut the Curtains” is a track from Billy Talent’s self-titled debut album. The ninth track on it to be exact. I first listened to the track many years ago, when I wanted to hear all the songs the band made after I’d seen them on the television when I was eight or so.

Even then it was only thirty second samples of it because I didn’t know any downloading sites where you didn’t have to pay. I did eventually get it as a present for my tenth/eleventh birthday, I am not too sure.

After all these years, I still enjoy this album just as much as when I first got it. “Cut the Curtains” isn’t the sole reason why, it is one out of twelve songs that never diminishes on energy, volume, and overall awesomeness.

This track is quite different to the others. It uses a riff, one which I think Ian D’Sa referred to as a chicken, that is practically repeated throughout the song (intro, verses, choruses and all). It probably contains the only part on the album when a track goes quiet for a few seconds. It’s not as quick and pacy as the others, but has a menacing tone and smoothness about it that you still have to move about to it. It’s cool.

The subject matter…. Artifice in a relationship? Maybe? Just a guess.