Today’s song is another one by those four guys from Liverpool. I don’t have access to my computer at the moment so I hastily type this up using my iPod Touch.
“Back in the U.S.S.R” is the opening track to the band’s double album “The Beatles” – also known as “The White Album” due to the album’s front cover. I prefer to call it “The Beatles” though because… that’s the name of the album.
1968 is known as the year when the members of the band started to get a bit annoyed with one another. You probably wouldn’t think that listening to this classic though. Upon first listen you might think, “Yeah, I can dig this! Paul sounds like he’s having a good time, they are all whooping and stuff in the middle. Ah, those guys.”
IT’S ALL LIES. Tension was building amongst the group, and for a number of different reasons. George felt under appreciated, as did Ringo and John had brought along a force that would totally break the harmony between the four for the rest of their years together.
For anyone who didn’t know, Ringo doesn’t play on this track. It is actually Paul on the drums. I’m sorry to break it to you if he’s your favourite or whatever.
In regards to “The Beatles”, it was a matter of ‘back to basics’ for the band. Their last full release was “Sgt. Pepper” which is known for its wide variety instrumentation and the colourful front cover and whatnot, and so after travelling to India for ‘spiritual enlightenment’ the band were ready to keep things simple.
“Back in the U.S.S.R.” is a great opener, I can’t imagine it anywhere else on an album. It’s got that sense of urgency and pace and gets you hyped up for what is to come.
That was meant to be the introduction to the song, by the way.
Hi everyone! I’m in a good mood. I am now a free man, exams are finished, nothing’s gonna change my clothes until results day. Until then, I should probably get started with this again. It is time… for the B SERIES. YES! YES! COME ON!
So System of a Down…. what can I say?
In 2005 it had been three years since the band released their third album. I didn’t follow the band so much, so I had no idea that this album was even out. However, “Chop Suey!” and “Toxicity” were two songs of the band that I saw on MTV2 and, although the former’s video was quite weird and I was quite confused by the actual song, the band really rocked and I guess I wanted to hear more from them.
“B.Y.O.B.”, acronym for ‘Bring Your Own Bombs’, was released as the first single from Mezmerize, the first half of a double album that would be out by the end of the year. It is considered to be yet another of System of a Down’s trademark songs due its fast pace, contrasts between quiet and loud in the verses and chorus, and lines that you are able to shout out at the top of your lungs.
This was also their first single where Daron Malakian had lead vocals in the part of the song. I remember seeing the video when it first came out, and again I was confused at how the song randomly changed in the middle. They were singing about “having a real good time” and “going to the party” and then it was “BLAST OFF IT’S PARTY TIME, WHERE THE FUCK ARE YOU!!!!!!”. It was crazy. But it makes it that much awesome.
This is another song out of the hundreds in the world that are anti-war. I think this song depicts the message quite clearly. It is about how the government chat shite most the time and how much they suck. George Bush had been re-elected as president the year before, which I guess no one understood back then. So people were pissed. I’m thinking Serj and Daron pretty much felt the same way.
Why do they always send the poor? Why? WHY.
That was alright. It’s good to be back.
Until next time.
Jamie.
P.S. I WAS LOOKING THROUGH MY POSTS YESTERDAY AND I REALISED I MISSED TWO BLOODY SONGS IN MY ‘A’ SERIES.
How did I do that? Yeezus. I might as well do them pretty quickly, and without focus.
George Harrison – Apple Scruffs
That is not the album version, but it’s pretty close.*
Another song from ‘All Things Must Pass’. Not much to say about the song. I listened to the album back in 2011, and this song was one that caught my ear. Great harmonies in the chorus by Harrison, and a delightful tribute to the ‘Scruffs’ who would hang outside Abbey Road when The Beatles were there.
Very nice.
11/06/2020* It is now the album version.
Nine Black Alps – Along for the Ride
OK, Nine Black Alps are one of my favourite bands ever.
They released their newest album “Sirens” last October, which you can listen to here.
“Locked Out from the Inside”, the album this song is on, was released in 2009 after the second album “Love/Hate”. I was dissappointed by the second album, because their first album was so good. So good. It’s one of my favourites. “Love/Hate” was just so mellow, and indie and using acoustic guitars. It was such a bore compared to “Everything Is”.
“Locked Out from the Inside” for me was a return to form. Their crunchy, rough Nirvana-esque sound was back, no acoustic guitars in sight. It just felt like everything was back to normal.
“Along for the Ride” is the penultimate song from the album. I think it’s about wanting a relationship, or being interested in someone. I don’t know, I don’t really look deep into lyrics. Even though I typed the lyrics up for every song and got them up on the Internet.
If you don’t know Nine Black Alps, listen to their stuff. Please.
I made another post about The Who a few days ago, so have a look at it if you want.
In that post I mentioned that Summer 2010 was when I began to listen to The Who, and recognised them for the ball of talent that they were back in the day.
However, I had only listened to a few songs by them. In order to get a sense of what their music was about, I would have to listen to one of their albums.
But which one? Where do I start?
Now, I knew that their ‘magnum opus’ was considered to be their album ‘Who’s Next‘. It contains two of their most well known songs, and it is the one where each member had reached their peak at their positions. Together, there was no stopping them.
For me, there was something that prevented me from listening to it. I don’t why. I think it’s just because I had only heard of those two songs, and if people only liked the album for them then what was the point?
So what better way to start my Who experience…. than with their 1967 release, ‘The Who Sell Out‘? Seeing its article on Wikipedia, I saw the praise that it received (full marks by the ones listed), the whole radio concept thing amused me, so I thought it wouldn’t hurt to listen to it.
It’s probably their most under-appreciated album. It is their only release where a majority of songs are not written by Pete Townshend and not only sung by Roger Daltrey. Everybody gets to sing, I have the 1995 remastered version which features ‘Jaguar’ with lead vocals by Keith, and ‘Girl’s Eyes’ which is written by him and sung with John Entwistle. It’s really one of my favourite albums.
“DUUUUUH-DUH Monday……..” is the first thing you hear when listening to ‘Armenia City in the Sky’, the first song of the album. The Who Sell Out incorporates radio adverts that were transmitted on a rogue radio station, ‘Radio London’, which would normally be broadcast from a boat in the middle of an ocean. This ‘Days of the Week’ interlude carries on until Sunday, which is when a weird backwards guitar fades in, and boom. The actual song begins.
Another unusual thing about the song is that it’s not actually written by any members of the band. In fact Pete’s chauffeur, Mr John Keen, wrote the song and is also singing it along with Roger Daltrey. Although it’s hard to make it out, seeing as there is this weird pitch shifting effect that is used on the vocals. Maybe they didn’t want people to know that someone who wasn’t in the band was singing.
Listening to it with headphones is another weird experience. You basically have Keith and John playing the rhythm section in the left channel, whilst there are these backwards trumpets and hazey backwards guitars playing in the other. That along with the lyrics, for example:
‘The sky is glass, the sea is brown, and everyone is upside down,’
makes this song one of the trippiest from the album.
I guess as it was 1967, this was supposed to a spoof of the psychedelicmaterial that was coming out, only because this is the only song on the album that uses that sort of drugged-up-on-LSD sound. The others are solid songs that don’t try to sound like it at all.
The solo is backwards too, so that screeching bird-call in the middle is still a guitar. After two repetitions of the title, the band maintain the pace and rhythm, a weird insect-sounding voices says ‘Freak out, freak out’ and the song ends with an explosion that echoes into the next radio transmission.
All in all, it’s a perfect start to a perfect album.
Mate.”Never Mind the Bollocks, Here’s the Sex Pistols” is one of the best punk albums of all time.
Made up of Johnny Rotten, Steve Jones, Paul Cook and Glen Matlock (who then left and was replaced by Sid Vicious) were the voice of a generation who didn’t give a shit. About anything. They only released one official album of original material, but the legacy they left on the punk genre and Britain overall still goes on to this day.
The first time I heard the song was around 9 or 8 years ago. I was watching this football show, something along the lines of the top ten controversial moments in the Premier League, and the incident where Eric Cantona kung-fu kicked a fan in the stands was shown. Of course it was one of those countdown things where the producers recruited these random celebrities to talk about these ‘controversial moments’ even if they didn’t give a shit about football.
Cantona got in a lot of trouble for that in ’95. The whole ‘I AM AN ANTICHRIST, I AM AN ANARCHIST’ seemed to fit the clip exactly, and seeing Cantona go crazy and hearing the song for the first time freaked me out a bit. I was eight years old at that time so… you know. It was scary.
Again, I would thank Yahoo’s Launch for helping me find the song. I was listening to my specific radio station when ‘L’Anarchie Pour Le UK‘ from ‘The Great Rock ‘n’ Roll Swindle’ played. I thought that the song sounded familiar, even if it was sung in French, and one thing led to another and I found ‘Anarchy in the UK’.
I thought it was the best song I’d ever heard. It was just so punchy and raw, that trademark whiney vocal by Rotten and just the whole ‘don’t give a fuck’ attitude that the song gave off.
I downloaded ‘Nimrod’ back in 2010. That was the year that the band had their own ‘Rock Band‘ game dedicated to them. No one probably plays that game anymore, seeing as you could export all the songs into the normal Rock Band games anyway. However, it was a sight to behold Billie Joe, Mike and Tré all cartoon form, showing their change in appearances from the Dookie era, to American Idiot, and finally to 21st Century Breakdown.
Again, ‘All the Time’ isn’t probably the most memorable song that people will remember from Nimrod. There’s probably one good reason for that. The album itself was the one that began their movement from three-chord punk rock songs to songs which, I guess, carried a deeper meaning to them. They were becoming mature. Eww.
Although the song wouldn’t have found itself on Dookie, nor definitely Insomniac, ‘All the Time’ seems the closest on the album that could have been written in those recording sessions. If ‘Haushinka‘ was considered for Dookie, ‘All the Time’ certainly could have been.
The song’s overall message? Time goes fast.
That’s the song for the day. Hope you enjoyed it 🙂
The Music in My Ears 