Tag Archives: x&y

#1259: Coldplay – Speed of Sound

Hey there, everyone. Guess who’s turned 30? This guy right here. Incredible stuff. It really creeps up on you, honestly. I’m gonna hope this next decade brings nothing but happiness and good fortune. The 20s were fine. Thirties are the new 20s. That’s what they say, right? Anyway, thanks for reading. This has gone on for a good 12 years now, and it’ll be a while until it finishes. But we’re getting there every two days at a time. And we continue with Coldplay’s ‘Speed of Sound’, released 20 years ago, the big first single to announce their comeback in anticipation to what was the band’s upcoming third album X&Y. I’ve come to think of that particular record as their ‘biggest band in the world’ statement. It’s not my favourite. And funnily enough, the band don’t look too fondly on that era either. What can you do?

And I kind of remember ‘Speed of Sound’ being the new song. If I recall correctly, its music video made its premiere in the UK on Channel 4. I didn’t care all that much for Coldplay then. Green Day was more my thing in 2005. And the premiere was at a really late time too. So, I figured I wasn’t missing out on anything much if I went to bed instead. I more remember the discussion around the song that was happening at the time. Mostly that it sounded too similar to ‘Clocks’, which I didn’t get initially. Speeding up ‘Speed of Sound’ (hardy-har-har) makes the similarity a little clearer. Then, to rub more salt in the wound, this track by what was supposedly the biggest band in the world made it to number two in the singles chart, beaten by the annoying, novelty ringtone era kingpin Crazy Frog with (its?) cover of ‘Axel F’. And at a time when it felt like Coldplay hate was at its highest, some people took great pleasure in that happening.

Fast-forward some years later, and I ended up asking for X&Y as a gift for one of those yearly occasions. Mainly because I just wanted access to the singles from it. I listened through it I think the one time, and it felt like it went on for ages. But before then I don’t think I’d properly listened to ‘Speed of Sound’ and given it full attention. It was through the full album listen where I sort of realised the song wasn’t half bad. A song about feeling insignificant and needing a sense of direction in this big, overwhelming world that still has so many questions left unanswered as to its origins. Not a bad topic. “All those places I got found” is a phrase that’s never sounded right to me, but that’s a little nitpick I have. But I really enjoy the way Chris Martin sings the whole thing, even though he apparently can’t stand it now. There’s an actual groovy bassline that you don’t find in a lot of Coldplay songs that begins at the “Look up, I look up at night” verse. And everything’s all tied together by the far out synths and reverbed guitar work that aid in giving the song this spacey atmosphere. One of these days I’ll maybe listen to X&Y again. ‘Least I know this one will always be in there.

My iPod #490: Coldplay – The Hardest Part

I’ve never given X&Y a proper chance. Not sure why. But there’s never been a time when I’ve ever had the sudden urge to listen to Coldplay’s third album. I’ve only listened to it the once, so maybe it was a case that the overall package wasn’t that impressive to me. I do, however, enjoy the album’s singles. Out of the six that were released, “The Hardest Part” always gains the most of my attention.

Why? Well, “What If” and “White Shadows” didn’t gain much traction commercially in the UK anyway so I wasn’t able to hear those two as much as the remaining four. “Fix You” suffered from being overplayed that it didn’t have the same effect it did upon first listen, “Talk” was alright but not one of their best, and “Speed of Sound“…… well I actually like that one despite it being hated by the group themselves. But “The Hardest Part” hit that sweet spot. An earnest track about a sense of regret, loss, and the inevitability of having to let things go every once in a while backed up by hefty piano melodies, interesting guitar lines and one of Chris Martin’s best vocal performances.

Wouldn’t be performed by the group nowadays. An underrated track for sure. The music video for it takes away from its subject matter just that bit though.