Tag Archives: york

#990: Simon & Garfunkel – The Only Living Boy in New York

Upon going through Simon & Garfunkel’s Bridge over Troubled Water album in about 2012/13, there were two clear highlights, at least to me, that stuck out on that first listen. Those were ‘Keep the Customer Satisfied’ and today’s song ‘The Only Living Boy in New York’. Sure, the title track is right there. But it’s never been one that I’ve wilfully gone out of my way to listen to. Probably ever. The rest of the album tracks all have their moments. But it’s always been those two for me. And since I’ve written the post about ‘Customer’, well, I better start going on about this one.

‘…Living Boy…’ was written by Paul Simon during a time when singing partner Art Garfunkel took an acting role and had to travel to Mexico for a lengthy period in order to shoot his scenes. Simon, overcome with these feelings of loneliness, transferred all of this emotion the best way he could into song. He wishes his partner the best of luck and wishes him well; he addresses him as ‘Tom’, which is what Garfunkel would go under when the pair performed as ‘Tom and Jerry’ in their early years. He gets some delight from the mundane things like checking out the weather report for the latest news. Still, the separation doesn’t stop Simon from feeling like the only person existing in the big city of New York. There’s a subtle hint of conflict too, as it seems Simon knows that this acting bit is something that Art is really into. He pleas to him that if he wants to follow through with it, then he should just tell him instead of making excuses. It’s a bit of a turbulent affair, and it would all end when the act broke up and went their separate ways some time after the album’s release.

However the lyrics are interpreted, it doesn’t get in the way of how comforting a listen this track always is. Simon takes the lead vocal here, double-tracked and maybe singing really close to the microphone. I don’t know what it is, maybe he’s using a certain type of mic, maybe it’s an effect, but whatever is used gives his vocal a real close and intimate feel. Like he’s singing you to sleep or something. It’s a gentle delivery with a fine melody with a backdrop of acoustic guitars and a skipping bassline. The whole track delivers for the most part, but then comes that glorious moment when those glorious harmonies from the two singers enter the frame, brought in effect by performing those vocals in an echo chamber and multi-tracking it around eight times. They’re heavenly moments, like lights at the end of the tunnel. It’s at these parts where I guess Garfunkel appears in front of Simon after everything’s happened, telling him to not worry because “Here I am.” Maybe that’s looking too deep. All in all, like a few other songs on Trouble Water, ‘…Living Boy…’ is another personal look into what made those two guys tick.

#916: Mobile – New York Minute

This track goes in the long list of those that I have to thank EA Sports for. FIFA 2003 to about FIFA 11/12 were the golden years in which their games had the most memorable soundtracks, each filled with songs of various styles from all over the world, which helped mould my music tastes as I got older. ‘New York Minute’ by Canadian band Mobile was on FIFA 07, then released in September 2006 and a time when I was precisely in my very first month of secondary school. Eleven years of age going on 12, how about that.

On a soundtrack that also featured Muse, Keane, The Feeling, and the theme song from The Inbetweeners, ‘New York Minute’ stood out for many a reason. One mainly being that its chorus was an absolute belter. “Hey now” is a small phrase that’s very much universal, and even if you didn’t know what the singer was saying in between the repetitions of it, you can guarantee that at least that part would get stuck in your head. The riff that propels the verses onward was very decent too. I found that the guitars were playing separate melodies during those sections when I hadn’t fully plugged in the audio cable for my PlayStation 2 one day, so I was essentially hearing one speaker and hearing one guitar following that riff while one another day I heard the other playing something completely different. Sounds a lot better with some good headphones on. Plus, after a while it was a track where I got the lyrics down just from hearing it over and over. The FIFA songs that had that effect were usually the best ones.

Despite all that, I never really took the time to listen to any Mobile music. There was a lot of school work to be done, you know how it is. Also, it wasn’t as easy to just find an album by any artist you wanted and play it like it is today. But maybe it’s for the best. That’s actually how it’s been for a lot of songs I’ve grown to like from these games. The artists might be one of those where that’s the only good song they have, you know? Wouldn’t want to put myself through that disappointment. It appears that the band were only around for six years, and were in the middle of working on their third album before deciding to call it quits. Which is a shame, as it is for any band that feel they can’t go on. Nevertheless, they’ll always be that band who made that great song that appeared in a game that one time and a small kid that little bit happier in those days.

#872: The Wombats – Moving to New York

The music video for this song isn’t that great. I thought that in 2007/8, and I still hold that opinion today. A lot of awkward staring and just a very low-budget tone to it. Song’s good though, always enjoy hearing it whenever it comes up on shuffle or something. ‘Moving to New York’ was a single from The Wombats’ first album, and its various appearances on MTV2 was how I came to know of its existence. It was also another reason for me to request that album as a present, birthday or Christmas, either/or, I can’t remember that well.

The track carries on a theme of self-deprecation and doubt that goes on throughout Love, Loss and Desperation. On here, the narrator generally seems to be down on their luck. They’ve had a bad week, they don’t know whether they’re coming or going, so they decide to move to New York in order to get some good sleep. Ah, but you see the joke here is that New York is known as the city that never sleeps, so it’s safe to assume that this person won’t have the greatest success with the decision they’ve made. It’s all a very sarcastic, ironic affair going on lyrically.

Despite the dismissive tone in its lyrics, it’s a thoroughly enjoyable track. Matthew Murphy sings it really well, and the thing to look out for the most is the bass guitar which really carries the melodic backbone. My favourite part is probably the outro, not because it means that the song is ending, but the chord progression during that part seems to come out of nowhere. Overall, the track’s pretty harmless. I think it’s one that reminds a lot people of the mid-00s where there were so many bands in the UK making music like this. Some of them were terrible, but I’ll always have a bit of a soft spot for the Wombats. Especially that first record.