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My iPod #410: Fall Out Boy – Get Busy Living or Get Busy Dying

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Honestly, I liked this track much more in the past than I do now. If I had the same attitude towards it like I did then, I would have provided the song’s full title, but that is just too much. I’m tired and burned out. Not to say that this track is bad, ‘cos I’m gonna write about it anyway. It has lost its effect on me, that’s all.

“Get Busy” is a very bitchy track. It appears to be from the perspective of a guy used for sex, and eventually dumped by a girl who he really had feelings for. The guy’s understandably pissed, but feels that justice is served when the girl’s ‘secret’ (what it is, we don’t know) comes out and rubs it in by telling her that the secret was shit anyway. He’s over her. She don’t matter no more.

I have always liked the music on this track. The palm-muted guitars add a very sinister tone to the song’s atmosphere, and the track also showcases Patrick Stump’s vocal talents. He doesn’t just sing on here, but he also (kind of) screams along with Pete during the bridge, adding a real harshness on his voice. It did take me a while that it actually was him who was doing that and not just a guest vocalist from another band they knew.

Pete Wentz also reads out a poem as the final chord is struck and fades out. To this day I don’t know what it’s about, but as he continues reading it his delivery rises in intensity as the guitar fades in again until coming to a sudden stop. That ending’s always made me feel a bit uneasy. But it’s a good lead in to “XO”. Very similar to what they did with “20 Dollar Nose Bleed” and “West Coast Smoker” on Folie á Deux.

A shame I don’t feel as excited by the song as I used to. But those were some good few years I had when I was.

My iPod #334: Nine Black Alps – Every Photograph Steals Your Soul

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(Skip to about 6:10)

Now I always feel as if I have to be careful about what I say about Nine Black Alps songs. The band follows me on Twitter, you see, and I think it was because they read one of my posts. Whether they liked it or not is a mystery to me, but I guess they want to see more. I haven’t talked about a Nine Black Alps track in a while.

Well, here is one now. It’s “Every Photograph Steals Your Soul”, the third track from the band’s third album “Locked Out from the Inside” released way back in 2009. I first heard it when the album was exclusively put up onto we7.com. If anyone remembers that site, isn’t it a shame what happened to it? It started to change by becoming a radio only site in 2012, and then it changed companies altogether. A real shame, I liked that site.

But anyway, I was excited as fuck to be listening to that album. Was hyped from the day “Buy Nothing” was revealed a few months earlier, but when I heard the first strum on “Vampire in the Sun” I knew I was in for something special. Nine Black Alps were heavy again after “Love/Hate”, and were bringing back the noise.

The topic of the track is really all there in the title. The song is from the perspective of a photographer who is all about the money and stealing people’s innocence for their own personal gain. Well, I’m thinking that’s what the band intended to make out this person to be. There is low, sinister guitar playing during the verses which give me an image of some sleazy man taking pictures of somebody, and then the volume increases for the chorus; the guitars get loud and Sam Forrest yells the title phrase with a few ‘yeahs’ thrown in there for good measure.

Just throwing this in, but the part which gave me goosebumps on my first listen? The part where everything stops for a split second before a ear splitting “YEAH” brings everything back in again. That was when I realised that this album was the shit.

My iPod #229: Pavement – Cut Your Hair

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Ah…. the first Pavement song I ever heard. It all started from this.

I was ten years old, probably getting to eleven, and I was downstairs nice and early whilst everyone else stayed in their beds to watch the music videos on MTV2. “Cut Your Hair” came on, played for the its three minute duration, and then was gone. But it got stuck in my head. The “ooh ooh ooh” chorus, the easy-to-remember ‘riff’ (don’t know whether it’s a riff or not)….. I am certain that that was the only time I saw the video on that channel before it got revamped, renamed and whatever else the company did to totally remove its credibility.

The music video is really simple and not at all serious. The band come into a barbershop, weird things happen when each member sits in the chair resulting in no one getting their hair cut and they leave when the song finishes. Does it have anything to do with the song? Not really. It’s more of an obscure “Hey we’re Pavement” type thing, seeing as this was the band’s first proper music video to go with a song that did quite well commercially. Although, it did leave me wondering who played what instrument and who the person singing was.

Anyway, “Cut Your Hair” is a song about people in the music industry caring more about their appearances than they do about the actual music. It is sarcastic in tone, something supported by Malkmus’ trademark loose and “off-key” vocal.

I liked it so much I put the video on my Piczo site; every kid who was in Year Six (2005/06) will know what I’m talking about. Too bad that company died, and my site is gone now.

“Cut Your Hair” is on the band’s second album “Crooked Rain, Crooked Rain” from 1994.

My iPod #217: Guttermouth – Cram It Up Your Ass

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Um…. Okay, I know this looks bad…. let me explain.

“Cram It Up Your Ass……. really? What the fuck.” That may be one of the thoughts that may have come to mind when you first saw the title. If you have come to this from my Twitter page, you may be even more confused and surprised. I couldn’t put a song title like that on my feed; people wouldn’t even want to click on the link otherwise.

Enough about that. “Cram It Up Your Ass” is the closer to Guttermouth’s first major release “Covered with Ants” and is one of the funniest songs I have ever listened to. And one of the creepiest.

The only reason I know of this song is because all I wanted to do, when I was ten and playing Tony Hawk on the PS2, was find and listen to “I’m Destroying the World” on the computer for minutes on end. However I could never do that; I always had to listen to thirty second samples instead on random music sites. Whenever it said ‘download’, the link would take me to a place where I had to pay… I’m not about that life.

“Cram It Up Your Ass” is on the same album as “Destroying the World”, and the title looked interesting so I decided to hear it’s sample. Nothing much happened, as you can tell. Just the lead singer singing the title over a bass that was playing the vocal melody. No big deal.

That was until, years later, I found out that it turns into a proper headbanger where all the guitars play the vocal melody in unison with frenetic drums rolling around all over the place. The dynamics are a very key part of this song. The last lines “Do you still like me?” are sung when the instruments come to a sudden stop, leaving the singer all alone. That part freaks me out a bit.

It doesn’t end there. After a few seconds of silence, a bloody grand piano comes in and plays the vocal melody over and over again for five minutes or so! I don’t know. I cut that bit out though, that part is unnecessary.

How could I even write so much about this track.

My iPod #98: They Might Be Giants – Birdhouse in Your Soul

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Here it is, They Might Be Giant’s biggest song. Commercially anyway. This, “Istanbul” and “Boss of Me” were their only songs to chart in the UK. Shows how much we know about music. I’m only joking, we know quite a bit about music. It’s a shame we just never appreciated this band as much.

I’ve just woken up from a nap so please excuse any spelling mistakes, or anything that clearly doesn’t make any sense.

They Might Be Giants released “Birdhouse in Your Soul” as the first single from their major label debut, “Flood”. The song, from the perspective a ‘blue canary’ night-light who ‘watches over you’ in your sleep. Not in any strange kind of way, but to guard you from the demons and monsters of the night. Like a guardian angel, it’s always near.

Now I don’t know what affect the song had on people when it was initially released in 1990. I still had another five years to go until I was born, but judging from the stats I see on Wikipedia and TMBW it helped the band gain a bigger following of fans after reaching top ten positions in the UK and in the US Modern Rock chart in the US.

When I was younger and started listening to They Might Be Giants, I knew that I’d heard the song from somewhere. Perhaps in an advert, or it played in the background of a TV show or something. But I didn’t know it was the band who sung it. I watched the video on Yahoo’s LAUNCHcast website, and it made me like the song even more. The weird zombie children, the random bike riding around the band, the choreography, it’s nice to see the band in one of their music videos too.

If you want to listen to the demo from Dial-a-Song, here it is.

Until tomorrow.

Jamie