Tag Archives: of

My iPod #68: George Harrison – Ballad of Sir Frankie Crisp (Let It Roll)

Another song from “All Things Must Pass”.

“Who is Sir Frankie Crisp?” You may ask.

Well, the video above is a black and white picture of George Harrison sitting in a huge garden with four, quite large, garden gnomes. This was the original artwork for his debut album in 1970, before it was colourated for its 2001 remaster release.

It turns out that garden is the main lawn of only one of the gardens at his home, Friar Park, which he bought in the winter of 1970. Friar Park was originally owned by Sir Crisp, and this song is a tribute to him and to the estate.

Did you know that the song contains part of the melody of an original song of his called “Everybody, Nobody”. That song was about motoring and travelling on the road, but Harrison rewrote the words to make “Let It Roll”.

This song is one of my favourites. It’s very descriptive. It’s almost like reading a movie script: ‘Let it roll across the floor/Through the hall and out the door/To the fountain of perpetual mirth/Let it roll for all it’s worth …’

This song is quite a whiplash in mood on the album; after listening to “Apple Scruffs” which is one of the happiest songs on there, this song comes up with quite a dark tone to it. The reverb on the snare drum and the repeats of “Oh, Sir Frankie Crisp” in the background reinforce the mysterious atmosphere. It’s not sad though, in fact he throws in a reference to a Monty Python in the midst of it.

Listen to it. You might like it too.

Until tomorrow.

Jamie.

My iPod #62 & #63: Paul & Linda McCartney – The Back Seat of My Car / Big Boi – Back Up Plan

Right. I have some explaining to do.

Yesterday I went out with friends to watch “Man of Steel”, the new Superman movie. I was out for a long time, I couldn’t put out my post and for that, I apologise to the small number of people who actually view this blog.

To be honest the film wasn’t that good; I don’t see what all the fuss is about.

Today, I bring a special two-in-one post. Only to make up for yesterday though, don’t be expecting anything more.

“Ram” is the second album released by Paul McCartney after The Beatles split in 1970. However, it was credited to both he and his wife Linda, and therefore doesn’t really count as a solo album.

“Ram” is one of the happiest albums I’ve listened to. Whereas “McCartney”, his first album, was more of a collection of old songs he had written whilst he was still in The Beatles, “Ram” on the other hand gave off a sense of freedom and also a sense of closure. Paul had ‘found his love awake and waiting to be’ and was ready to take things head on.

“The Back Seat of My Car” is the final track on the album, and probably the most emotional. Love is a theme that runs throughout, but this is when it reaches its peak.

The story in the song is pretty simple. The couple have dreams of getting away ‘along the highway’ to ‘Mexico City’ but prefer making out in the back seat of a car unbeknownst to the girl’s father who is always nagging at them. Awww. How romantic is that?

Sure, the story is short and sweet. The actual composition is beautifully performed, with calming and soothing vocals by Paul and slight changes in tempo here and there culminating in an audience participation section and a rocking outro make it perfect for the album closer.

Also, the song contains what is probably the best vocal delivered by McCartney. Ever.

I can’t describe it very well, just listen to it; you’ll get what I mean.

John Lennon thought this was one out of several songs on the album on “Ram” that was aimed at him and Yoko, it isn’t, but you can hear his thoughts about it if you search for it on YouTube.

Big Boi – Back Up Plan

Put that bitch in smash mode.
Ooh, another closing track from an album.
“Sir Lucious Left Foot: The Son of Chico Dusty” was Big Boi’s debut in 2010. I wrote a bit about it in my previous Big Boi post, but all you need to know is that it was released and a lot of people liked it.
It has a completely opposite message compared to Paul McCartney. This time around, Big Boi’s been cheated on or dumped or whatever, and the relationship has ended. But what does he do? He only picks himself up, dusts himself off and moves on to a new one. That being his ‘back up plan’.
That is pretty much all I can say about the song. Big Boi basically tells the story of the relationship in the song, so again listen to it. It’s a confident closer, I enjoy it. What could go wrong?

I hope that makes up for everything.Until tomorrow.

Jamie.

My iPod #47: Big Boi – Apple of My Eye

Yeeeah. Antwan André Patton (The Only One) aka Daddy Fat Sax aka Sir Lucious Left Foot aka Big Boi in the hizz-ouse.

I’m only joking.

You all know him as one half of the influential hip-hop group, OutKast, along with André 3000.

OutKast released their most recent album, ‘Idlewild’, in 2006 which received positive reviews. The film it was released alongside, however, did not fare so well. After enjoyable single releases such as ‘Morris Brown‘ and ‘Idlewild Blue (Don’tchu Worry ‘Bout Me)‘, OutKast faded away but it was okay, because they only faded away to record their next album, right?

WRONG. Since 2006, no new material has been released under the OutKast name. André has featured on various songs here and there but hasn’t released any solo albums. We still love him though. He’s so classy. Have you seen that Gillette advert? Mmm-mmm-mmm.

Big Boi stepped up to the plate and unveiled his debut ‘Sir Lucious Left Foot: The Son of Chico Dusty‘ to the world in 2010, which got everybody worried because they were still waiting for the new OutKast album, but was eventually recognised to be one of the best hip hop albums of that year. Then My Beautiful Dark Twisted Fantasy came out, and everyone was less hyped about Lucious.

I downloaded ‘Left Foot‘ in summer last year, and I found it rather enjoyable. The beats were huge, Big Boi’s lyrics and flow were on par, full to the brim with hubris. Big Boi was at the top of his game, and if he wasn’t getting enough respect already I would assume that he only received more after such a confident debut.

The album became one of my favourites, hip-hop wise, and it got me wondering when he would release his sophomore. As I said, I listened to the full album two years after it was released so something would have been coming soon.

It came as a surprise to me. In December 2012, I go onto Spotify to listen to an album and there under ‘WHAT’S NEW’, I see it:

BIG BOI – VICIOUS LIES AND DANGEROUS RUMORS

I am British, so ‘rumours’ without the ‘u’ looks quite weird but it’s fine.

“Ooh! Let’s listen.”

So I did. Annnnnd it was good. ‘Apple of My Eye’ was the song that really caught my attention. Booming bass, the lyrical delivery, the chorus is an ear worm if there ever was one. I know he released ‘Mama Told Me‘ as the first official single, maybe just because of Kelly Rowland’s appearance and because it is probably the song most suited for radio play from the album. Despite this, ‘Apple of My Eye’ could have been that first single. It’s got everything you want, a great song with only Big Boi at the reins and the soulful chorus. I would have chosen it as my first single, I’m just saying.

Overall, ‘Vicious Lies‘ wasn’t as positively greeted as ‘Left Foot‘ was upon its release. I feel the same way too. I don’t know what it is. It’s hard to explain. Maybe you can have a listen to both albums, and comment on how you feel about them.

Until next time.

Jamie.

My iPod #19: Kanye West – All of the Lights

WARNING: This video has been identified by Epilepsy Action to potentially trigger seizures for people with photosensitive epilepsy. Viewer discretion is advised.

Please take heed of that warning, seriously.

‘My Beautiful Dark Twisted Fantasy’, the fifth album by Kanye West. The one which received positive reviews from every music magazine and website you could imagine. The one with the controversial artwork. The one which had a film released along with it. The one that gave rise to memes such as ‘Yeezy taught me’, ‘No one man should have all that flour’ and ‘Let’s have a toast to the douchebags’. What made it so good?

Well, it was his first album after 808s & Heartbreak, for a start.

But real talk, it was the return of a Kanye (the rapper) that the world had never witnessed before. Remember what he did to Taylor Swift at the 2009 VMAs? Yeah, well no one liked him after that. Beyoncé was shocked, Pink was outraged, even the President had a few words to say about him.

So what did Kanye do? He only went into some sort of exile to Hawaii and recorded his, arguably, best work of ALL TIME. ALL TIME.

‘All of the Lights’ is preceded by its short interlude, a cello/violin and a piano play the melody of the intro. Then the main song starts, “ALL OF THE LIGHTS”, triumphant horns set up the scene, a crescendo of strings build up the mood, Rihanna sings the post-chorus, “Turn up the lights in here baby etc etc.” Then the beat kicks in, and it’s just awesome from then on.

The song kicks arse. It’s a highlight for me from the album. It’s just the rapid drums and bass, the horns, Kanye’s rhymes and delivery. It’s such an adrenaline rush, I don’t think anyone could sit calmly in a chair and bob their heads. No! You’re headbanging, you do a forward roll and you flail about when there’s no one else in the room with the lights flickering on and off. That’s what you do!

Another thing that’s great about the song is also the number of guests he gets on it. No, this song doesn’t just feature Rihanna. You’ve got Kid Cudi in the first bridge, “Getting myyyyyyyyyyyyy eh, you should go and get your oowwwwwwwwwwwwn,” Fergie-Ferg from the Black Eyed Peas in the second bridge, Alicia Keys AND Elton John at the end, and even La Roux. La Roux! How? Why? When?

The song just gives off a sense of glory. “Lights, Cop lights, flash lights, spot lights, strobe lights, street lights, ALL OF THE LIGHTS ALL OF THE LIGHTS, fast life, drug life, thug life, Roc life, every night, ALL OF THE LIGHTS.”

If you don’t have ‘MBDTF’, I suggest you get it. It is probably one of the best hip hop albums released in the last five years.

Who even likes Taylor Swift now anyway?

Until next time.

Jamie.