Tag Archives: touch

#1439: The Hives – Two-Timing Touch and Broken Bones

Hell yes. I just finished listening to this song before I started writing. Really got me pumped. I haven’t written about The Hives all that much on here. Only on two occasions in the past. I’ve got no beef with them. I know they were one of those ‘The’ bands who were part of that garage rock revival scene in the 2000s. But I was too young to understand what was going on then. So it was the case of casually seeing their music videos on TV from time to time that drew me towards them. Whenever those videos were on those kinds of channels, the songs were usually good. I can appreciate a Hives tune. I also know that they’re known to put on a good show in a live setting, reinforced by the undeniable charisma of frontman Pelle Almqvist. I’ve never gone through any of their albums in full, though. Looking at them, the band only have one that goes over 35 minutes in length. Going for a short, sharp route it seems. Think I’ve got time to spare to that check that discography out.

‘Two-Timing Touch and Broken Bones’ is a tune from the band’s third album, Tyrannosaurus Hives, released in July 2004. People would have known the band for ‘Hate to Say I Told You So’ at least by that point, but this era of the band’s was when I was first introduced to them. That’s a story for another day. Regarding ‘Two-Timing…’ I’m very sure, before I heard the song in full, its guitar riff was used in an advert on the UK channel, Trouble. Anyone remember Trouble? Used to show programmes like The Fresh Prince of Bel Air, My Wife and Kids, Moesha, um…. Hang Time? My sister watched Trouble a lot. Being the younger-by-four-years brother, I had no right to change the channel, so I was usually stuck with having to watch what she did. Years later, having come across more Hives songs as time went past, when the video for ‘Two-Timing…’ one day appeared on TV – I’m thinking Kerrang! for some reason, maybe it was usual suspect MTV2 – and the music started, it was like, “Of course it’s a Hives song.” If it was going to be any band that had a riff like that, it was them.

So I don’t know what this song is about. I’ve only recently come to a conclusion – in my head, not verified – that it was someone’s idea in the band to take that “Let’s go [team name]” chant you’ll usually hear in US sports stadiums and use it as the melody for the verses. I don’t think that’s too far a reach. But really, ‘Two-Timing Touch and Broken Bones’. As a phrase, what does it mean? I’m not sure it has one. But it sounds good with the band barking it against those rushing, chopping guitars during the choruses. I like how the guitar chords alternate between left and right speakers. Very cool. And Pelle Almqvist, as always, is manic on the microphone, culminating in that scream during the song’s ending moments. If you don’t know what the song’s about too, I guess we can learn together. Let’s see. Hmm, “it’s just about being cheated on, and then getting into a pointless fight or sometihng.” That’s… not too bad a shout. The title and lyrics make a whole lot more sense now. I’m glad we went through this together.

AND THAT’S IT. Big sigh. That’s the ‘T’ section finished. I’m pleased with how this one went. It’s been the section where, after 13 years of doing this, I’ve finally sussed out how the structure of these posts should go. Thanks for reading, it’s been a long seven months of writing. It’s break time for me. I’ll be back at some point.

#1401: Ween – Touch My Tooter

Here’s the last song from Ween’s Pure Guava that I’ll be writing about. ‘Touch My Tooter’. ‘Don’t Get 2 Close (2 My Fantasy)’ would have had a post of its own, for sure, but I wasn’t listening to Ween like that in 2014 or whenever I was covering songs on my phone that began with the letter ‘D’. So that leaves just three Pure Guava songs on this blog. It’s not my favourite Ween album. It and The Pod were more or less recorded at the same time, and really all of …Guava sounds like it’d fit on its predecessor. There’s a ‘Pod Part 2’ feeling I can’t help but associate with it. The drum-machine rhythms on …Guava are beefier and busier, I appreciate it for that at the least. I’ve just never been able to really get into it. And that’s okay, I don’t think I need to force these kinds of things. The four songs on there I like, I like a lot. When it comes to ‘…Tooter’, I dig the music, but I can’t help but smile when listening to it. Its delivery is funny as hell.

A lot of Ween fans will agree that the band’s three albums are top, top stuff. But whenever material from those albums are performed live, they’re usually taken to another level in terms of sound and performance. ‘Touch My Tooter’ was a number the band would do on the road quite regularly back in the day, the performance of it (below) in their iconic Live in Chicago 2003 shows being a notable exhibit of how it was done. And I’m sure I saw that before I got to the rawer studio version. Live, it’s got this rocking, stomping feel. A lot of edge. I think helped by the backing of an actual rhythm section. The initial album version is much different. It’s quicker in tempo. The drum machine couldn’t sound more synthetic. Dean Ween’s guitar’s got this crunch in tone, in a real lo-fi kind of way. Gene Ween is singing in a way that I find hard to describe, but you can tell he’s really feeling it. I like both live and studio versions just ’cause they’re so much on other ends of the spectrum.

I did use to think that this song was about Gener having an extreme crush on a lady. She walks into the room, he gets all giddy and wishes to have some kind of sexual relation with her. I think it’s dawned on me that it may be the complete opposite in sentiment. Gener addresses his ‘buggy’, a affectionate nickname for Deaner if you’re into your Ween lore, pretty much ‘buddy’, asking him why the arrival of this girl makes him feel like shit inside. Gener doesn’t like this girl, he doesn’t like the way she dances, he doesn’t like the way she thinks everything is cool between the two of them. So in telling her to ‘touch [his] tooter’, he’s really telling her to kiss his ass. More of a ‘fuck you’ song than a ‘want to fuck you’ song. A lot of Ween songs are based on personal experiences, I don’t think ‘Touch My Tooter’ is separate from that category. This realization’s got me thinking about the song a little differently now. There’s much more behind it than meets the eye. I’ll take it all day. A big album highlight for me.

My iPod #455: Razorlight – Golden Touch

I quite liked Razorlight back in the day. We can all agree that Up All Night, the album today’s track can be found on is their best work to date. Their self-titled follow up weren’t that bad either. Never listened to Slipway Fires because “Wire to Wire” made me wince every time. That was in 2008. And as the years have gone on the group’s faded into obscurity. A shame. But wouldn’t really excited by a sudden announcement of a new album any time soon. Just my opinion.

But enough on that. We’re going back to 2004. “Golden Touch” was released just a week before the band’s full debut album hit the shelves in stores nationwide. It became quite popular too. The song was the band’s first top-ten hit at the fourth time of trying, becoming one of their signature tunes and one of the British indie anthems of the year in the process.

Johnny Borrell talks/wails in tune about a girl, who unbeknownst to her, is the subject of many conversations behind her back. Borrell thinks this lady is special, she has the ‘golden touch’, and the song is a basic message to her to take no notice of the haters. Never really liked the way the lead vocals are delivered on here, though they’re made up for by the track’s loose feel established by the arpeggiated guitar licks and its overall groovy rhythm. There are some background ‘ha-ha-haaaaaaaa’ vocals at near two minutes in that are just perfect too.