Tag Archives: he’s

My iPod #497: Stevie Wonder – He’s Misstra Know-It-All

“He’s Misstra Know-It-All” closes Stevie Wonder’s seminal album Innvervisions. Preceded by tracks concerning racial tension, drug abuse and love ballads, the song is essentially a description of a man who gains people’s trust only to let them down, is a straight-up liar, only cares about subjects where there is money involved – whether he gains it or loses it, it doesn’t matter – and overall is someone that many people should avoid. The track is said to be about then President of the USA, Richard Nixon.

Despite the scathing lyrics describing this awful human being (I assume the femininisation of Mister to Miss-tra only emphasises Wonder’s disregard for this person), the song’s music itself is some of the calmest on the album. It is a wonderful five and a half minutes of piano, smooth chugging drums and Wonder’s voice along with some backing vocals that you have to nod your head back and forth to in appreciation. That is before the change up at around three minutes where Mr. Wonder begins to deliver his take with a greater passion (signified by an emphatic “BUM-BUUUHNA-BUUUHNA” ad-lib, hand-claps enter the mix, the rhythm sections play around with the rhythm here and there, and a stronger feel to the song’s groove and mood is brought about.

A real classic. Too good.

My iPod #496: The BPA ft. Iggy Pop – He’s Frank (Slight Return)

The BPA (aka The Brighton Port Authority) was a little short-lived side project carried out by DJ Norman Cook (aka Fatboy Slim). The only album to date released under it entitled I Think We’re Gonna Need a Bigger Boat came out in 2009, and features a wealth of appearances from guests vocalists ranging from Talking Heads man David Byrne and grime MC Dizzee Rascal, to relatively unknowns like Cagedbaby and Olly Hite.

Starting the album off is a cover of the song “He’s Frank” by British post-punk band The Monochrome Set and singing it is no other than the ever charismatic Iggy Pop. He performs quite the subdued vocal take here bar a scream and a few wordless improvisations during the instrumental break, but in context of the whole album and the listening experience it is a decent way to get things rolling. Very enjoyable, at least to me anyway.

The music video features a frightening life-size puppet of Mr. Pop, which then proceeds to physically assault the puppeteers controlling it. It’s strange. But it’s there if you want to see it.