Tag Archives: innervisions

My iPod #497: Stevie Wonder – He’s Misstra Know-It-All

“He’s Misstra Know-It-All” closes Stevie Wonder’s seminal album Innvervisions. Preceded by tracks concerning racial tension, drug abuse and love ballads, the song is essentially a description of a man who gains people’s trust only to let them down, is a straight-up liar, only cares about subjects where there is money involved – whether he gains it or loses it, it doesn’t matter – and overall is someone that many people should avoid. The track is said to be about then President of the USA, Richard Nixon.

Despite the scathing lyrics describing this awful human being (I assume the femininisation of Mister to Miss-tra only emphasises Wonder’s disregard for this person), the song’s music itself is some of the calmest on the album. It is a wonderful five and a half minutes of piano, smooth chugging drums and Wonder’s voice along with some backing vocals that you have to nod your head back and forth to in appreciation. That is before the change up at around three minutes where Mr. Wonder begins to deliver his take with a greater passion (signified by an emphatic “BUM-BUUUHNA-BUUUHNA” ad-lib, hand-claps enter the mix, the rhythm sections play around with the rhythm here and there, and a stronger feel to the song’s groove and mood is brought about.

A real classic. Too good.

My iPod #296: Stevie Wonder – Don’t You Worry ‘Bout a Thing

Time for a bit o’ sooooul. Weren’t expecting that were you? The D section has been very rock-oriented so far it has to be said, but it is not as if I just added this song yesterday to try and add some ‘variety’. Admittedly I have known “Don’t You Worry ‘Bout a Thing” for less time than the majority of the other tracks on here. I listened to its album some time last year when I was on a ‘quest’ to listen to the best albums ever. This is a very fine song though, so I had to add it. And it deserves to have a post.

“Don’t You Worry ‘Bout a Thing” is the penultimate track on Stevie Wonder’s 1973 album “Innversions“. It has a Latin vibe to it, started off by the stomping piano and exotic percussion which occur throughout, and comically referenced by Wonder’s mock-Spanish dialogue for the first forty seconds. After those forty seconds though, it’s serious business. Wonder delivers an outstanding vocal performance becoming more passionate with each chorus and key change, rising octaves until he eventually starts belting the song title from the top of his lungs.

Essentially it’s a song about being positive. If you didn’t get that from the title. It is a classic.